About the Journal

  • Al-Academy Journal : Scientific quarterly journal issued by the College of Fine Arts / University of Baghdad. (View in Map)
  • Started publishing since 1971 and ongoing.
  • ISSN 2523-2029 (Online), ISSN 1819-5229 (Print)
  • Al-Academy Journal publishes scientific papers in the following fields:
  1. Plastic arts, including painting, sculpture, ceramics, and graphics.
  2. Design, including the fields of print design, industrial design, textile design, and interior design.
  3. Arabic calligraphy and decoration
  4. Art education
  5. Musical arts
  6. Theatrical arts, including the fields of acting, directing, literature and criticism.
  7. Cinema and television
  • The editorial board is supervised by an editor-in-chief, managing editor, And members of the editorial board. The editorial board is a panel of experts with diverse expertise who contribute to the development of long-term plans for academic publication in general, And Al-Academy Journal in specific.

Aims and Scope

  • The journal deals with academic research related to aesthetic subjects, which includes the fields of plastic arts, music, theater, cinema, design arts, calligraphy, and decoration, as well as theoretical and applied research in the field of art education. 
  • The journal is archived in CLOCKSS
  • The journal is archived at the National Library in Baghdad on No. 238 of 1976
  • It is also archived on the website of the Iraqi Ministry of Higher Education and Scientific Research / Department of Research and Development: "Iraqi Academic Scientific Journals"
  • The Journal is Indexed electronically and globally in DOAJ , Crossref.
  • The International Standard Serial Number For The Journal is:

Funding sources

•The journal is financially supported by fees paid for publishing research.

This work is licensed under a Creative Commons Attribution 4.0 International License.

Publishing Schedule

Al-Academy Journal has been publishing Six issues per year since 2025. The exact schedule of publication for each issue is as follows:

1. February
2. April
3. June
4. August
5. October
6. December

-The possibility of publishing a special issue of the scientific conferences held in the college or its counterparts.

The journal uses an electronic plagiarism detection system (Turnitin) for all papers submitted for publication.

 

Current Issue

No. 122 (2026)
View No. 122 (2026)
Published: 2026-06-01

Articles

  • Employing historical events in television drama

    Amal Taher Hassan, Ali Ismail Khalil
    5-20
    DOI: https://doi.org/10.35560/jcofarts1779

  • Design trends for digital advertising marketing culture

    Anhar Jameel Saber
    21-30
    DOI: https://doi.org/10.35560/jcofarts1781

  • The role of free artistic activities in promoting creative imagination among students at the Institute of Fine Arts

    Amal Nouri Aboud
    31-44
    DOI: https://doi.org/10.35560/jcofarts1783

  • The Dialectics of Spectator Performance in the Strategy of the Contemporary Iraqi Multimedia Theater

    Bahaa Abdul-Mohsin Hassan
    45-62
    DOI: https://doi.org/10.35560/jcofarts1784

  • Feminist discourse trends in the Iraqi theatrical performance "Khilaf" as a model

    Ammar Abd Salman
    63-74
    DOI: https://doi.org/10.35560/jcofarts1575

  • Public Speaking Skills in Acting Performances of Iraqi Theatre Shows

    Haider Abd Thamer
    75-90
    DOI: https://doi.org/10.35560/jcofarts1785

  • The melodic and rhythmic structure of national anthems in the Arab Gulf States region

    Khalil Ismail Khalil , Walid Hassan Al-Jabri
    91-98
    DOI: https://doi.org/10.35560/jcofarts1786

  • Directorial Treatment of Rebellion in Contemporary Iraqi Theatre Performances

    Khalel Fadhel Khalel , Suha Taha Salima
    99-116
    DOI: https://doi.org/10.35560/jcofarts1787

  • The Mechanisms of Space Formation in Contemporary Theater – The Play Days of Madness and Honey as a Model

    Rami Sameh Zaki
    117-128
    DOI: https://doi.org/10.35560/jcofarts1788

  • Symbolic interaction theory and its applications in the contexts of social interaction of industrial products

    Rusul Ghassan Awad , Jasim Khazaal Baheel
    129-142
    DOI: https://doi.org/10.35560/jcofarts1789

  • Directorial Work of Taboo in Contemporary Iraqi Theater Performances (The Play Ya Rab as a Model)

    Reham Fouad Awad
    143-152
    DOI: https://doi.org/10.35560/jcofarts1790

  • Converting the Omani Encyclopedia for Youth into a digital format to enhance knowledge investment through the artistic and aesthetic values embodied within it.

    Salman Amer Alhajri
    153-168
    DOI: https://doi.org/10.35560/jcofarts1791

  • Aesthetics of Employing Folklore Heritage in Fashion Design Techniques: Iraqi Designer Hana Sadiq as a Model

    Taif Jabbar Raoof Al-Smmrraie
    169-188
    DOI: https://doi.org/10.35560/jcofarts1792

  • The specificity of the academic actor's performance in Iraqi theatrical performance

    Aqeel Raheem Kareem Saleem
    189-198
    DOI: https://doi.org/10.35560/jcofarts1793

  • Manifestations of Folk Heritage in the Artistic Productions of Art Education Students at the Open Educational College (An Analytical Study)

    Sana Abdul Ameer Hussain
    199-212
    DOI: https://doi.org/10.35560/jcofarts1752

  • Digital design techniques and its effectiveness in contemporary fashion fabric " Pixel art model"

    Ghufran Abdulkareem Jebur, Hind Mohammed Sahab
    213-230
    DOI: https://doi.org/10.35560/jcofarts1795

  • Experimental scenographic treatments in Iraqi theatre performances

    Saif Al-Din Hamid Muhammad Kati
    231-246
    DOI: https://doi.org/10.35560/jcofarts1794

  • Digital Space and its Variables in Graphic Design

    Ahmed Shaker Hannoun, Akram Jirjis Naama
    247-258
    DOI: https://doi.org/10.35560/jcofarts1796

  • Intuitive Thinking and Its Relationship to Aesthetic Awareness among Art Education Students

    Lina Ayad Mohammed Hassan , Salih Ahmed Al-Fahdaw
    259-270
    DOI: https://doi.org/10.35560/jcofarts1797

  • Artistic Creativity Between Human and Generative Models: Conceptual Transformations in Contemporary Art

    Ramia A. Al Gharsan
    271-286
    DOI: https://doi.org/10.35560/jcofarts1772

  • The dialectic in the concept of Postmodernism

    Faylaq Fathi M. Ali
    287-300
    DOI: https://doi.org/10.35560/jcofarts1798

  • The Aesthetics of Virtual Reality Technology as an Approach to Digital Storytelling in Contemporary Saudi Art

    Hala bint Ghasham bin Salem Al-Mouka, Abeer bint Saad bin Hamad Al-Muqrin
    301-318
    DOI: https://doi.org/10.35560/jcofarts1799

  • Dramatic Treatment of Historical Events in Television Drama Series "Abu Tabr as a Model"

    Lubna Ali Mansour Hussein , Fadhel Jati Salman
    319-330
    DOI: https://doi.org/10.35560/jcofarts1800

  • The implications of ritual theater in an actor's performance of an educational theatrical performance (the play "Azhar" as a example)

    Muhammad Abdel Hamid Abdel Hussein
    331-344
    DOI: https://doi.org/10.35560/jcofarts1610

  • Representations of the Poetic Tendency in Contemporary Narrative Cinema

    Mohammed Odeh dakhil
    345-368
    DOI: https://doi.org/10.35560/jcofarts1801

  • Pop art is embodied in contemporary ceramics "An analytical study of ceramic works inspired by consumer culture"

    Mayasa Muhammad Assi , Zainab Kazem Saleh
    369-380
    DOI: https://doi.org/10.35560/jcofarts1802
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