About the Journal

  • Al-Academy Journal : Scientific quarterly journal issued by the College of Fine Arts / University of Baghdad. (View in Map)
  • Started publishing since 1971 and ongoing.
  • ISSN 2523-2029 (Online), ISSN 1819-5229 (Print)
  • Al-Academy Journal publishes scientific papers in the following fields:
  1. Plastic arts, including painting, sculpture, ceramics, and graphics.
  2. Design, including the fields of print design, industrial design, textile design, and interior design.
  3. Arabic calligraphy and decoration
  4. Art education
  5. Musical arts
  6. Theatrical arts, including the fields of acting, directing, literature and criticism.
  7. Cinema and television
  • The editorial board is supervised by an editor-in-chief, managing editor, And members of the editorial board. The editorial board is a panel of experts with diverse expertise who contribute to the development of long-term plans for academic publication in general, And Al-Academy Journal in specific.

Aims and Scope

  • The journal deals with academic research related to aesthetic subjects, which includes the fields of plastic arts, music, theater, cinema, design arts, calligraphy, and decoration, as well as theoretical and applied research in the field of art education. 
  • The journal is archived in CLOCKSS
  • The journal is archived at the National Library in Baghdad on No. 238 of 1976
  • It is also archived on the website of the Iraqi Ministry of Higher Education and Scientific Research / Department of Research and Development: "Iraqi Academic Scientific Journals"
  • The Journal is Indexed electronically and globally in DOAJ , Crossref.
  • The International Standard Serial Number For The Journal is:

Funding sources

•The journal is financially supported by fees paid for publishing research.

This work is licensed under a Creative Commons Attribution 4.0 International License.

Publishing Schedule

Al-Academy Journal has been publishing Six issues per year since 2025. The exact schedule of publication for each issue is as follows:

1. February
2. April
3. June
4. August
5. October
6. December

-The possibility of publishing a special issue of the scientific conferences held in the college or its counterparts.

The journal uses an electronic plagiarism detection system (Turnitin) for all papers submitted for publication.

 

Current Issue

No. 118 (2025)
View No. 118 (2025)
Published: 2025-10-01

Articles

  • Constructing and applying a thinking patterns test to students of the Art Education Department

    Marwa Abdel Wahed Kamer, Majed Nafie Al-Kanani
    5-20
    DOI: https://doi.org/10.35560/jcofarts1366

  • The Classical Acting Style in the Performance of Actor Taama Al-Tamimi

    Mohammed Taama Al-Tamimi , Russil Kadim oda
    21-32
    DOI: https://doi.org/10.35560/jcofarts1656

  • Representations of Magical Realism in the Works of Afifa Laibi and Fernando Botero (A Comparative Study)

    Istabraq Shawkat Kazim Al-Basri
    33-48
    DOI: https://doi.org/10.35560/jcofarts1657

  • Embodying the suffering of hunger through the art of ceramics: “The Loaf” as a visual symbol

    ‫Yassin bin Khamis bin Rashid Al-Saifi, Salman bin Amer bin Salem Al-Hajri
    49-62
    DOI: https://doi.org/10.35560/jcofarts1543

  • The role of art education teacher in developing students’ aesthetic taste

    Amenah Habeeb Hammoud Al-Mamouri
    63-80
    DOI: https://doi.org/10.35560/jcofarts1628

  • Techniques of vocal performance of the actor in contemporary theater

    Reham Sadiq Al-Awadhi
    81-92
    DOI: https://doi.org/10.35560/jcofarts1658

  • Representations of belonging in the children's play "The Tale of Silwan the Artist" by Hussein Ali Harf

    Sajida Ramdhan Jasim , Mudhad Ajil Hassan
    93-108
    DOI: https://doi.org/10.35560/jcofarts1659

  • The Impact of Exposure to Violence on Children: A Study of the Psychological Dimensions and Consequences of Experiencing Violence in Childhood”

    Najem Abdullah Al-Rashed
    109-130
    DOI: https://doi.org/10.35560/jcofarts1576

  • Formal systems and their effectiveness in designing contemporary interior spaces:

    Mustafa Abdul Latif Qasim, Raja Saadi Lafta
    131-144
    DOI: https://doi.org/10.35560/jcofarts1660

  • Design of Interactive Digital Illustrations Using Mental Canvas for Producing a Children Textbook with a Saudi Nature

    Tamadur bint Zuhair Muhammad Kutbi
    145-170
    DOI: https://doi.org/10.35560/jcofarts1574

  • The Metaphor Of Mythology in Henri Fuseli Artworks- Analysis study

    Ayat Mustafa Jafaar Alansary, Mohammad Gloub Al-Kinani
    171-184
    DOI: https://doi.org/10.35560/jcofarts1461

  • The Future Identity of Industrial Products and Their Variables

    Dania Salman Noor Uddin , Ali Ghazi Matter
    185-194
    DOI: https://doi.org/10.35560/jcofarts1661

  • Utilizing historical symbols in designing tourist advertisements

    Ahmed Amer Haddad, Zahraa Jalil Khudair, Karim Salem Johnny
    195-204
    DOI: https://doi.org/10.35560/jcofarts1562

  • The impact of cognitive stimulants on the development of educational experiences At the students of art education

    Suha sabeer Koshy, Kareem hawas Ali
    205-218
    DOI: https://doi.org/10.35560/jcofarts1568

  • Aesthetics of Employing Mirrors in the Residential Interior Spaces

    Hawre Sarkawt Rashid
    219-236
    DOI: https://doi.org/10.35560/jcofarts1662

  • Variables of comic expression between text and actor in TV drama

    Abdul Basit Salman, Ihsan Daadoush
    237-250
    DOI: https://doi.org/10.35560/jcofarts1663

  • The concept of plastic theater and its applications in contemporary Iraqi theater performances

    Miqdad Riyad Younis Al-Miqdadi, Kazem Imran Musa
    251-262
    DOI: https://doi.org/10.35560/jcofarts1452

  • Structural treatments of space in postmodern arts and their representations in the productions of graduate students in the Department of Art Education

    Salwa salah abd al ameer
    263-278
    DOI: https://doi.org/10.35560/jcofarts1664

  • The visual and intellectual culture among contemporary Saudi artists and its impact on economic development in the Kingdom of Saudi Arabia

    Noura Abdullah Al-Jammaz , Arwa Hassan Mohammed Hussein Felemban
    279-294
    DOI: https://doi.org/10.35560/jcofarts1581

  • The role of multiple materials to enrich contemporary mural painting

    Ayad Abdulkareem Mayea, Howaida Mohammed , Mona Mustafa Aliwa
    295-306
    DOI: https://doi.org/10.35560/jcofarts1670

  • Semantic levels of the image in contemporary Iraqi theatrical performance

    Jarir Abdullah Hussein
    307-324
    DOI: https://doi.org/10.35560/jcofarts1671

  • Metaphor representations in fashion fabric designs

    Zainab Ahmed Hashim
    325-336
    DOI: https://doi.org/10.35560/jcofarts1672

  • The concept of meaning in contemporary sculpture in the Kurdistan Region

    Sahrabast Mohsen Aziz Hamad
    337-352
    DOI: https://doi.org/10.35560/jcofarts1673

  • Industrial product quality between accelerated design and traditional design

    Suha Ali Hussein , Difaf Ghazi Al-Abadi
    353-368
    DOI: https://doi.org/10.35560/jcofarts1674

  • The Potential of Artificial Intelligence in Creating Contemporary Paintings Inspired by Saudi Najdi Heritage

    Ayshah Ibrahim Mohammed Almosalam, Maha Mohammed Nasser Al-Sudairy
    369-388
    DOI: https://doi.org/10.35560/jcofarts1653

  • Spontaneity in Abstract Impressionism and its Reflection in Fine Arts Education Students

    Mohammed Kadhim Hussein
    389-402
    DOI: https://doi.org/10.35560/jcofarts1675

  • The Sociology of Artistic Expression and Its Role in the Drawings of Art Education Department Students

    Nibras Ali Hassoun Sadiq Al-Mariani, Saleh Ahmed Mahdi Al-Fahdawi
    403-416
    DOI: https://doi.org/10.35560/jcofarts1676

  • Evaluation and Aesthetic Preference Judgments in User Response to Industrial Product

    Wameedh Abdulkareem Muhsin
    417-428
    DOI: https://doi.org/10.35560/jcofarts1558

  • Extremism and terrorism in the promotional discourse

    Rawan Fadel Murad , Muataz Enad Ghazwan
    429-442
    DOI: https://doi.org/10.35560/jcofarts1677

  • The Imitation in the Paintings of Nineveh’s Artists

    Awan Youssef Mahmoud
    443-458
    DOI: https://doi.org/10.35560/jcofarts1678
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