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No. 114 (2024)
View No. 114 (2024)
Published: 2024-12-15

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Articles

  • Semiotic analysis of graffiti discourse In light of the methodology of Roland Barthes and Charles Peirce

    Areej Saad Adnan
    9-24
    DOI: https://doi.org/10.35560/jcofarts1454

  • Hologram technology as an input to enrich the aesthetic values of design in contemporary plastic art.

    Asma Khalid Abdulaziz Al Dawood
    25-38
    DOI: https://doi.org/10.35560/jcofarts1493

  • Formal Features Of Image Construction In Ghost Films

    Asia Ali Mahmood
    39-52
    DOI: https://doi.org/10.35560/jcofarts1501

  • The Effectiveness of Applying a SCAMPER-Based Graphic Processing Model to Enrich the Aesthetic Quality of Design Units

    Afnan Al Ansari
    53-66
    DOI: https://doi.org/10.35560/jcofarts1495

  • The aesthetics of hybridization in contemporary painting and its reflection on the productions of art education students

    Alham Abd Al Saheb
    67-78
    DOI: https://doi.org/10.35560/jcofarts1503

  • Sustainability in Contemporary Visual Arts: Trends and Applicability

    Amani Eid Alhazmi, shatha Alasqha
    79-96
    DOI: https://doi.org/10.35560/jcofarts1492

  • Echoes of Change: How Saudi Songs Shaped Cultural Shifts in the 70s and 80s

    Bader Ibrahim Alharbi
    97-108
    DOI: https://doi.org/10.35560/jcofarts1480

  • Techniques Graphic Design in “Puzzle” Games

    Bassam Abdel Nafie Fathi, Nsiyf Jassem Mohammed
    109-126
    DOI: https://doi.org/10.35560/jcofarts1399

  • The effect of the thinking maps strategy on developing productive thinking among female students of the Institute of Fine Arts in the subject of analysis and artistic criticism

    Hassan Jarallah Jamagh
    127-136
    DOI: https://doi.org/10.35560/jcofarts1506

  • Technical innovations and their representations in post-modern arts (Op art as a model)

    Hussein Jabbar Mohammad
    137-152
    DOI: https://doi.org/10.35560/jcofarts1507

  • Intertextuality and its formal applications in the works of contemporary Iraqi  potters

    rasool jabor mahmoud
    153-164
    DOI: https://doi.org/10.35560/jcofarts1415

  • Features of popular heritage in contemporary Iraq painting an analytical study

    Ruaa qahtan Abdullah
    165-176
    DOI: https://doi.org/10.35560/jcofarts1511

  • Semantic dimensions of shape systems and their manifestations in graphic art

    zainab danbous, Hella Abdul sheead
    177-188
    DOI: https://doi.org/10.35560/jcofarts1512

  • The Semantic Shift Of Place In The Cinematic Film (The film “Platform” is an example)

    Saad Nadhom Issa
    189-204
    DOI: https://doi.org/10.35560/jcofarts1513

  • Data of religious thought and its reflections in modern textile designs

    Asaad Ati Halil Saad Al-Moussawi
    205-220
    DOI: https://doi.org/10.35560/jcofarts1514

  • The contribution of technology in developing marketing behavior

    Seham Muhsen Getan
    221-238
    DOI: https://doi.org/10.35560/jcofarts1515

  • Violin duet composition in Iraqi Kurdish Music “Shepherd Violin Duet for Students” as a model

    Abdullah Jamal Ashraf
    239-258
    DOI: https://doi.org/10.35560/jcofarts1516

  • A comparative study of visual impression between the types of two-dimensional design style in electronic game design

    Abdullah Faisal Suruji
    259-274
    DOI: https://doi.org/10.35560/jcofarts1481

  • The dialectic of life and death in the texts of Ghazi (Azrael play - a choice)

    Alaa Hatem Mohsin, nazar shebeeb karim
    275-292
    DOI: https://doi.org/10.35560/jcofarts1517

  • Characteristics of The Transitional Phase In Greek Sculpture Between Archaic And Classical

    Ali Abd AL Mohsen Ali
    293-308
    DOI: https://doi.org/10.35560/jcofarts1518

  • The effect of teaching using Kolb’s model in Skills development of students of the Art Education Theatrical Directing

    omar qasim ali
    309-328
    DOI: https://doi.org/10.35560/jcofarts1484

  • Blockchain Technology and Traditional Electronic Publication and Their Role in Respond to Distortion and Protecting Intellectual Property in Journalism

    Ghadah H. Mohammed
    329-350
    DOI: https://doi.org/10.35560/jcofarts1519

  • The aesthetic relationship between the intellectual and technical aspects in contemporary Iraqi painting

    Fadia aqeel jabar ahmed
    351-362
    DOI: https://doi.org/10.35560/jcofarts1520

  • Educational employment of the evil character in school theater texts

    Nibras Ali Hassoun Sadiq Al-Maryani
    363-372
    DOI: https://doi.org/10.35560/jcofarts1521

  • The reduction in Contempaerary formation Sculpture

    Nibras hashim Thanoon
    373-382
    DOI: https://doi.org/10.35560/jcofarts1457

  • The realistic trend in the productions of students of the Institute of Fine Arts

    Noora Abdullah Ali
    383-390
    DOI: https://doi.org/10.35560/jcofarts1477

  • Structural Organization in Environmental Awareness Poster Designs

    fared Hassan Sallah
    391-410
    DOI: https://doi.org/10.35560/jcofarts1380

  • References to the abused body in the theatrical actor’s performance

    Hanadi Salah Ezzat, Haider Atallah Abdul Ali
    411-420
    DOI: https://doi.org/10.35560/jcofarts1471

  • The character of the alienated woman in Falah Shaker’s theatrical texts, "The Savage Wedding as a model"

    Wasal Khalaf Kazim Al-Bakri
    421-430
    DOI: https://doi.org/10.35560/jcofarts1524

  • The dynamics of the actor's movement in Iraqi theater performances

    Waad Abdul Amir Khalaf
    431-442
    DOI: https://doi.org/10.35560/jcofarts1525
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