The aesthetics of simplification and complexity in contemporary sculpture according to postmodern concepts

Authors

  • Wed Dhafer Nama University of Baghdad\College of Fine Arts
  • Hella Abd AlSheead University of Baghdad\College of Fine Arts

DOI:

https://doi.org/10.35560/jcofarts1171

Keywords:

aesthetics, simplification, complexity, contemporary sculpture, postmodernism

Abstract

The era after World War II witnessed a remarkable transformation in the formal structure of contemporary sculpture and demonstration techniques, with its new intellectual and cognitive frameworks full of rapid and successive changes of new artistic movements and trends that provided forms, formats, new relationships and different compositional systems that included simplifications, some of which tend towards complexity, so the current study aimed to identify the aesthetics of simplification and complexity in contemporary sculpture according to postmodern concepts, The problem of the research was to answer the following question: What is the aesthetics of simplification and complexity in contemporary sculpture, this research relied on the descriptive analytical approach being the most appropriate approach to achieve the goal of the research, the research sample (3 samples) were deliberately selected to suit the privacy of the current research, and the researchers have designed (analysis form) and the most important results reached by the researchers:

References

Farhan, S. K. (2018). Simplicity and complexity in the visual format of children's magazine cover designs. Al-Academy Magazine, volume 89.

Robertis , T., & Hight, D. (2004). From Modernity to Globalization. (M. M. Omar, Ed., & S. Al-Shishakli, Trans.) Kuwait: National Council for Culture Arts and Letters,The World of Knowledge Series.

Al-Jawfi, F. K. (2019). The aesthetic and functional dimensions of environmental waste in the products of students of the Department of Art Education. Al-Akademy Journal.

Jadidi, M. (2008). Modernity and Postmodernism in the Philosophy of Richard Rorty (Vol. 1). Beirut: Arab Science dar Publishers, Difference Publications.

Sadiq, M. (1996). The Development of Arts between Simplification, Complexity and Accumulation. the Yarmouk Research Journal (Humanities and Social Sciences Series), vol 12(no4).

Ahmed, K. H. (2007). Trends of Contemporary American Sculpture, (Unpublished PhD thesis). Iraq: College of Fine Arts, University of Baghdad.

Al Wadi, A. S., & Abdul Redha, A. (2011). Environmental Expression in Postmodern Art (Vol. 1). Amman: Dar Safa.

Al-Akabi, J. A. (2003). Simplicity and Artistic Complexity in Al-Mutanabbi's Poetry,( PhD thesis). Iraq: University of Al-Qadisiyah.

Alhatimey, A. A. (2013). Expression Technology in Postmodern Formation (Vol. 1). Jordan - Amman: Dar Radwan.

Al-kabi, J. A. (2014). Simplicity and complexity as a critical and rhetorical term. Contemporary Islamic Studies, University of Karbala.

Alloush, S. (1984). Contemporary Literary Terminology. Morocco: University Library Publications, Casablanca.

Al-Mamouri, H. K. (2014). Educational and aesthetic dimensions of conceptual art. Journal of the University of Babylon/Humanities, Vol/22, No/6.

Al-Obaidi, J. M. (2013). Value and Aesthetic Standard in Contemporary Formation. Baghdad-Iraq: Dar Difaf.

Attia, M. M. (2002). Criticism of the Arts from Classicism to the Postmodern Era. Cairo: Knowledge Foundation.

Chamoun, A. R. (2002). Moderate sculpture. Al-Baseera Magazine, 1.

Diwan, N. N. (2020). The mechanism of deconstruction in postmodern arts and its role in raising the artistic taste of the learner. Al-Akademy Journal, 95.

Harvey, D. (2005). The State of Postmodernism - Research on the Origins of Cultural Change. (M. Shaya, Trans.) Beirut: Arab Organization for Translation, Center for Arab Unity Studies.

Ismail, I. E.-D. (1986). Aesthetic Foundations in Arab Criticism (Vol. 1). Baghdad, Iraq: Ministry of Culture and Information, Dar of General Cultural Affairs.

Jimenez, M. (2009). What is the aesthetic (Vol. 1). (C. Dagher, Trans.) Beirut: Center for Unity Studies.

Klee, P. (2003). Formation Theory (Vol. 1). (A. Al-Siwi, Trans.) Cairo: Dar Merritt.

Kuenzli, R., & M.Naumann, F. (1996). MARCEL DUCHAMP ARTIST OF THE CENTURY. United States of America: Library of Congress Cataloging-in-publication.

Maeda, J. (2006). The Laws of Simplicity, design, technology, business. London-England: Massachusetts Institute of Technology.

Majed, I. H. (2018). Transformations of Demonstration Techniques in Contemporary Iraqi Sculpture(unpublished master's). Iraq: University of Baghdad, College of Fine Arts, Department of Fine Arts – Sculpture.

Mustafa, B. A.-D. (2017). Postmodern Paths. Cairo: Hindawi CIC Foundation.

Reed, H. (1983). Education of artistic taste. (Y. M. Asaad, Trans.) Cairo.

Reed, H. (1994). Modern Sculpture. (E. J. Fakhri Khalil, Trans.) Baghdad-Iraq: Dar Al-Ma'mun.

Smith, E. L. (1995). Artistic movements after the Second World War. (E. J. Fakhri Khalil, Trans.) Baghdad-Iraq: dar of Cultural Affairs.

Venturi, R. (2021). Complexity and Contradiction Inarchitecture (Vol. 2). (S. A. Mahdi, Trans.) Beirut: Arab Institute for Studies and Publishing.

Downloads

Published

2023-06-15

Issue

Section

Articles

How to Cite

The aesthetics of simplification and complexity in contemporary sculpture according to postmodern concepts. (2023). Al-Academy , 108, 435-458. https://doi.org/10.35560/jcofarts1171

Publication Dates

Received

2023-05-17

Accepted

2023-05-30

Similar Articles

161-170 of 329

You may also start an advanced similarity search for this article.