Interactivity in Contemporary Visual Art and Its Representations in the Works of Art Education Students.”

Authors

  • Alaa Salman Khudair Postgraduate student/College of Fine Arts/University of Baghdad
  • Abather Imad Mohammed Sadiq University of Baghdad\College of Fine Arts

DOI:

https://doi.org/10.35560/jcofarts1422

Keywords:

Intertextuality, Sculpture, Contemporary, Representations, Productions

Abstract

            The research explores the concept of intertextuality in contemporary visual art, focusing on the aesthetics of composition and the openness to interpretation. It aims to shed light on the concept of intertextuality and key theoretical approaches that have introduced this critical term. The study addresses the problem of intertextuality and its role in revealing symbolic meanings and understanding the visual vocabulary of contemporary artworks through a semiotic-intertextual approach. The goal is to comprehend the relationship between visual intertextuality and the dynamics of artistic creation, as well as the role of the viewer in activating it. The study emphasizes the uniqueness of each artwork and its contemporary implications. Considering that a painting is a multi-layered visual text subject to intertextual connections, the research concludes that paintings exhibit a chemistry where their variables dynamically interact in the equation of formation and interpretation123

References

Abd al-Fattah Ahmad Faraj, Taj al-Arus, 1965.1

Al-Jawhari, Muhammad, Al-Mufid min Mu'jam Rijal al-Hadith - 2nd Edition, 2008

Al-Munjid fi al-Lughat wal- A'lam, 1975.3

Ibn Faris, Ibn Zakariya Abu al-Hassan, Mu'jam Maqayis al- Lughah - Publisher: Dar al-Fikr, 1979.

Al-Shanini, Iman . Intertextuality (Origin and Concept). Horizon Magazine, International Information Network, 2002. WWW.WAILTOIARARU

Al-Zu'bi, Ahmad. Intertextuality Theoretically and Practically, Ammon Publishing and Distribution, Jordan, 2000.

Al-Qayrawani, Ibn Rashiq, Al-'Umda fi Naqd al-Shi'r, Volume 1, Beirut: Dar Sader, Volume 2, 2008.

Al-Zawahreh, Zaher Muhammad Hazaa. Intertextuality in Contemporary Arabic Poetry, Jordan, 2011.

Al-Baghdadi, Abather Imad Muhammad, Forming Sculpture of Modernity and Postmodernity: A Deconstructive Reading from the Text to Its Interpretations, Doctoral Thesis, University of Baghdad, 2016.

Alan Bowness , Modern European Art, Al-Ma'moon Translation and Publishing, Baghdad, 1990.

Amhez, Mahmoud. Contemporary Fine Arts, Triangle for Design, Printing and Publishing, Beirut, 1981.

Al-Baqa'i, Muhammad Khair. Studies in Text and Intertextuality, First Edition, Syria - Homs, Center for Civilizational Development, 2014.

Al-Najjar, Muhammad Rajab. Tawfiq al-Hakim and Folk Literature, First Edition, Ain for Studies and Human and Social Research.

Bennis, Muhammad Zaher. The Phenomenon of Contemporary Poetry in Morocco (A Structural-Formative Approach), Second Edition, Dar al-Tanweer for Printing and Publishing, Casablanca, 1985.

Adel, Kamel. Contemporary Fine Arts in Iraq. The Sixties Era, General Directorate of Cultural Affairs, Iraq, Baghdad, 1986.

_ 12.Iraqi Fine Arts: Foundation and Diversity, General Directorate of Cultural Affairs, First Edition, Baghdad, 2000.

Contemporary Painting in Iraq, The Era of Foundation, Diversity, and Discourse, Damascus, 2008. Rana Miri Muzal, Intertextuality in Contemporary Iraqi Painting, Volume 2, 2014.

Mahbik, Ahmad Ziad. The Concept of Intertextuality, Issue 123, Al-Kalima Magazine, 2017. Salah Fadl, Rhetoric of Discourse and Psychology, World of Knowledge Series, Kuwait, 1992

Downloads

Published

2025-12-01

Issue

Section

Articles

How to Cite

Interactivity in Contemporary Visual Art and Its Representations in the Works of Art Education Students.”. (2025). Al-Academy , 119, 61-74. https://doi.org/10.35560/jcofarts1422

Publication Dates

Similar Articles

171-180 of 409

You may also start an advanced similarity search for this article.