Stylistic diversity in the works of potter Hazem Al-Zoubi

Authors

  • Ghufran Adel Abbas Postgraduate student/College of Fine Arts/University of Babylon
  • Ibtisam Naji Kazem College of Fine Arts/University of Babylon

DOI:

https://doi.org/10.35560/jcofarts1436

Keywords:

Stylistic diversity potter Hazem Al-Zoubi

Abstract

The concept of stylistic diversity has an important role in reading contemporary literary and artistic texts, because it is an outlet for departing from the traditional framework of creative work, in which both the recipient and the producer interact in understanding and reproducing it. In turn, it helped to show many concepts related to artistic work from the outside because it is an important communicative and intellectual means. . The current research is to study the stylistic diversity among the sheep Hazem Al-Zoubi, which contained four chapters, the first chapter of which focused on the methodological framework of the research in stating the research problem, which was determined by answering the following question: - What is the stylistic diversity among the sheep Hazem Al-Zoubi? . Then comes the importance of research and the need for it to contribute to highlighting the stylistic diversity in the works of Al-Kharaf Hazem Al-Zoubi. It also contained the goal of the research, which is: identifying the stylistic diversity in the works of Hazem Al-Zoubi. The limits of the research were limited to studying the stylistic diversity in the works of the potter Hazem Al-Zoubi from (1985-2020), in addition to defining some of the terms mentioned in the research. The second chapter included the theoretical framework and previous studies. The theoretical framework contained two sections. The first section dealt with stylistic diversity conceptually. The second section is contemporary Jordanian ceramics. Then the indicators resulting from the theoretical framework. The third chapter included the research procedures, which included the research community, its sample, and the research tool, and the analysis of the research sample models. (5) models from the research community were intentionally chosen, while the indicators that resulted from the theoretical framework were adopted as criteria for analyzing those samples, and the descriptive approach was used for the analysis. As for the chapter The fourth contained results, conclusions, proposals, and sources. The researcher reached a set of results, including:

1 - The potter relied on stylistic diversity to achieve interaction between the ceramic work and its surroundings.

2- In his ceramic achievements, the potter borrowed vocabulary from the cultural heritage and also embodied the concept of nature through his multiple colors and various techniques in producing ceramic work

References

Al-Husseini, J. B. (1964). A Dictionary of Logic Terms (1 ed.). Dar Al-I’tisam for Printing and Publishing, Al-Baqi’ Press.

Ali, M. S. (n.d.). Aesthetic stylistic diversity in Seljuk ceramics. Lark Journal of Philosophy, Linguistics and Social Sciences, 4(43).

Al-Kawamla, A., & Zureiq, M. A. (1990). Plastic Art in Jordan. Jordan: Publications of the Ministry of Culture, The Hashemite Kingdom of Jordan.

Alloush, S. (1984). Dictionary of Literary Terms. Casablanca: Publications of the University Library.

Al-Madhati, S. A. (2013). College of Fine Arts: Stylistic diversity in the drawings of the Group of Four. University of Babylon, College of Fine Arts, Department of Fine Arts, Drawing Branch.

Al-Masadi, A. S. (2006). Style and Stylistics. Tripoli, Morocco: distributed by Oya Printing and Publishing House.

Al-Najjar, A. I. (2020). The expressive and aesthetic values of contemporary ceramics in Jordan and Iraq - a comparative study (published master’s thesis). Basra: University of Basra, College of Fine Arts, Department of Fine Arts, Ceramics Branch.

Al-Qara Ghouli, M. A. (2002). Characteristics and transformations of Nouri Al-Rawi’s drawing style (published master’s thesis). University of Babylon, College of Fine Arts, Department of Art Education.

Al-Rubaie, N. A. (2004). Systems of contemporary Arab ceramic shapes (published doctoral thesis). University of Baghdad, College of Fine Arts, Department of Fine Arts, Ceramics Branch.

Al-Rubaie, S. (1885). Contemporary Fine Art in the Arab World. Sharjah Center for Intellectual Deposit, Ministry of Culture and Information.

Darwish, A. (1988). A study of style between contemporary and heritage. Cairo: Dar Ghaida for Printing, Publishing and Distribution.

Hammad, T. (n.d.). Plastic Art in Jordan (1 ed.). The Art Library.

Ibn Manzur, A. B.-D. (1986). Lisan al-Arab (Vol. 1). Beirut.

Ibn Manzur, M. b. (1993). Lisan al-Arab (Vol. 12). Beirut: Dar Sader Lebanon.

Jabbar, B. M. (2012). Stylistic diversity in contemporary Iraqi graphic art (published master’s thesis). University of Babylon, College of Fine Arts, Department of Fine Arts, Drawing Branch.

Judy, M. H. (1975). Metal Works. Al-Najaf Al-Ashraf: Space Press.

Khalaf, A.-B. N. (2016). Employing environmental elements in the design of contemporary Iraqi ceramics to highlight the distinctive cultural and civilizational heritage. Journal of the University of Diyala,College of Fine Arts.

Khaled, B., & Saleh, M. A. (2018). Community inclusion in contemporary ceramics in Jordan (published master’s thesis). Yarmouk University, Jordan.

Lalande, A. (2001). The Philosophical Encyclopedia. (K. A. Khalil, Trans.) Beirut: 25, Aweidat Publications.

Langer, S. (1989). Susan Langer’s Philosophy of Art. Baghdad: Public Affairs House.

Lubaba, H. W. (2015). The reality of Jordanian ceramics (published master’s thesis). Yarmouk University, Faculty of Fine Arts.

Marouf, L. (1329). Al-Munajjid fi Al-Lughah. Dhuli Al-Qaribi Publications.

Masoud, B. (n.d.). Arabic Stylistics and Rhetoric. Academic Book Center.

Munro, T. (2014). Development in the Arts (1 ed.). Cairo: printed by the Authority for Culture Palaces.

Sameh, K. (2016). Raed Al-Dahla’s sculptures celebrate the duality of land and man. Rasseen. Retrieved from http://rasseen.com

Shaheen, M., & Taha, M. (April 24, 2010). New Horizons for Arab Ceramic Art. article on Al-Bayan, Morocco. Retrieved from https://www.albayan.com

Wahba, M. (2007). The Philosophical Dictionary. Cairo: Quba Modern Publishing and Distribution House.

Downloads

Published

2024-05-15

Issue

Section

Articles

How to Cite

Stylistic diversity in the works of potter Hazem Al-Zoubi. (2024). Al-Academy , 309-328. https://doi.org/10.35560/jcofarts1436

Publication Dates

Similar Articles

1-10 of 833

You may also start an advanced similarity search for this article.