The Aesthetic Composition of Sculptural Subjects Executed on Barbotine Ceramics "An Analytical Reading"
DOI:
https://doi.org/10.35560/jcofarts1884Keywords:
Barbutin, FormationAbstract
The current research deals with the study of (the aesthetics of composition for the themes executed on Barbotin pottery (an analytical reading)) through four chapters. The first chapter included the research problem and the following question: What is the stylistic and aesthetic diversity of Barbotin pottery? The aim of the research was to identify the aesthetics of composition for the themes executed on Barbotin pottery, the limits of the research, and the definition of terms.
The second chapter addressed the theoretical framework and included two sections: the first of which was devoted to studying the intellectual references of Islamic art, and the second was devoted to studying Barbotin pottery and its aesthetic and technical formations. The third chapter included the research procedures and included the research community. (4) samples were intentionally selected to achieve the research objective, while the researcher adopted an analytical description in analyzing the samples. The fourth chapter contained the results and conclusions reached by the researcher.
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