No. 113 (2024)

View No. 113 (2024)
Published: 2024-09-15

Full Issue

Articles

  • The correlation between virtual construction and formal metaphor in electronic advertising

    Ibrahim Hamdan Sabti
    9-30
    DOI: https://doi.org/10.35560/jcofarts1273

  • The formative dimensions in the structure of contemporary Iraqi ceramics and their implications On the products of students of the Art Education Department

    Amal Nouri Abboud
    31-44
    DOI: https://doi.org/10.35560/jcofarts1451

  • Exploring the differences between an Omani traditional and renaissance jewelry from the perspective of an old generation of Omani women

    Amal Al-Ismaili
    45-58
    DOI: https://doi.org/10.35560/jcofarts1373

  • Directorial treatment of character psychological transformations in cinema and television

    Anwar Abd Shati
    59-72
    DOI: https://doi.org/10.35560/jcofarts1297

  • Promoting the concept of sustainability in the design of plastic water bottles

    Khulud AlJarallah
    73-90
    DOI: https://doi.org/10.35560/jcofarts1302

  • Parametric design and its role in designing building facades (An analytical study)

    Kholood Saleh Matar Alsawat
    91-116
    DOI: https://doi.org/10.35560/jcofarts1455

  • The performance of the actor between the sign and the verb in the theatrical show

    Russil kadim Oda, Muhammed Ali Kazem
    117-126
    DOI: https://doi.org/10.35560/jcofarts1269

  • Formal changes and their implications for graphic design

    Ruqaya Kazem Ahmed , Sahar Ali Sarhan
    127-136
    DOI: https://doi.org/10.35560/jcofarts1270

  • Employing social imagination in Iraqi feminist theatrical text

    Ruqaya Wahab Bayram
    137-152
    DOI: https://doi.org/10.35560/jcofarts1296

  • Artistic layout and methods of using technology in the feature film

    Abdel Nasser Mustafa Ibrahim
    153-170
    DOI: https://doi.org/10.35560/jcofarts1308

  • An analytical study of methods for employing negative space in logo design

    Abdullah Faisal Suruji
    171-184
    DOI: https://doi.org/10.35560/jcofarts1472

  • Integration of functionality in industrial product design between smart and traditional control

    Omar Rashid Saleh, Nawal Mohsen Ali
    185-198
    DOI: https://doi.org/10.35560/jcofarts1214

  • Topological analysis of the industrial product body

    Liqaa Ghazi Hamad
    199-208
    DOI: https://doi.org/10.35560/jcofarts1432

  • Perception and attention and its impact on the design idea of the recipient

    Muhammad Thabet Muhammad Al-Baldawi
    209-218
    DOI: https://doi.org/10.35560/jcofarts1325

  • Directing treatment of the chase scenes in the American film

    Marwan SafaUldeen Hasan
    219-232
    DOI: https://doi.org/10.35560/jcofarts1309

  • The History of Saudi Digital Art, Beginnings and Development

    Mojib Alzahrani
    233-244
    DOI: https://doi.org/10.35560/jcofarts1367

  • Matrix of Possibilities and contemporary Transformation in the Renovation of Ceramics

    manal alsaleh
    245-264
    DOI: https://doi.org/10.35560/jcofarts1333

  • Concealment and invisibility in digital advertising design

    Ayad Diab Hamid , Nidal Kazem Matar, Naseem Tariq Kamal
    265-282
    DOI: https://doi.org/10.35560/jcofarts1476

  • Representations of the body in contemporary arts study

    Hajar Khalifa Al Harrasi, Fakhriya Al-Yahyai
    283-314
    DOI: https://doi.org/10.35560/jcofarts1314

  • Design foundations for traditional interior spaces (Local reception halls are an example)

    wisam hassan hashim
    315-326
    DOI: https://doi.org/10.35560/jcofarts1466

  • Textual transformation in international logo designs

    Bushra Mohsin Yasir, Bassam Jassim Hussein Banana , Maysaa Kareem Hasan
    327-336
    DOI: https://doi.org/10.35560/jcofarts1491

  • variables affecting the structure of commercial advertising design (analytical study)

    maha naama lafatuh
    337-346
    DOI: https://doi.org/10.35560/jcofarts1361

  • Self-awareness in nihilistic philosophy to interpret aesthetic experience(Sculptor Alberto Giacometti as a model)

    AHMED J. ZBOON, Ali Fahim Eidhan
    347-368
    DOI: https://doi.org/10.35560/jcofarts1467

  • Design dialogue is a cognitive accompaniment in the designs of interior spaces(As a case study of the hospitality hall in Qasr Al Watan - Abu Dhabi (UAE)

    Mohamed Jarallah Tawfik
    369-386
    DOI: https://doi.org/10.35560/jcofarts1490

  • The Authenticity of Diriyah: Between the Philosophy of Place and Time as a Foundation for Designing Contemporary Artwork

    zahrah Ahmed Saleh alghamedi
    387-406
    DOI: https://doi.org/10.35560/jcofarts1434

  • Modern Technologies and Their Effectiveness in Designing the Interior Space of Fashion Show Houses

    Enas Kadim Hawash Abd
    407-420
    DOI: https://doi.org/10.35560/jcofarts1478

  • Epistemology and its implications in designing the cover of Popular Heritage magazine

    Riyadh Muhsen Habeeb
    421-432
    DOI: https://doi.org/10.35560/jcofarts1410

  • Plastic features of the concept of violence in ancient and contemporary ceramic formation

    Ealayh Mohsen Abboud
    433-448
    DOI: https://doi.org/10.35560/jcofarts1475

  • The works of idealistic philosophy in the structure of the Iraqi theatrical performance, the play Blood Horse as an example

    Aseel Khalifa Kazem Al-Bakri
    449-466
    DOI: https://doi.org/10.35560/jcofarts1499

  • Cultural landmarks in the designs of fabrics and fashions for virtual performances and their communicative dimensions

    Haneen Mohammed Mashkoor , Hind Muhammad Sahab Al-Ani
    467-478
    DOI: https://doi.org/10.35560/jcofarts1502