Automatic operation of the optical system in the theatrical show

Authors

  • Aqeel Abd Ali Muhammad College of Fine Arts / University of Baghdad

DOI:

https://doi.org/10.35560/jcofarts1255

Keywords:

اشتغال تلقائي, المنظومة الضوئية

Abstract

Theatrical techniques took upon themselves the responsibility of building and organizing the theatrical form for the various forms of performances, and it was the important tool that the show makers could rely on in carrying out the various works at the audio-visual level, and lighting is one of the most important elements of the visual formation of the image in the show, as it is related to the visual process and what it can achieve in operations The contrast that constitutes the aesthetic and intellectual values of the theatrical show, especially since the process of adjusting the element of time and the timings for receiving or delivering, moving, and the movement of the actor is what can determine the rhythm of the scene, which in its totality represents the rhythm of the show, and the processes of delay and confusion in the process of implementing various types of effects or techniques and light are the most important element that can Work to raise the aesthetic, artistic and intellectual values of the display in the case of controlling its implementation and control processes. Therefore, the researcher worked to find a simple technical and technical alternative that works to avoid these errors, accompanied by ease in the process of distribution and design of lighting and the shapes of its projections, since most of the workers now in the field of lighting design and implementation are Technicians with different specializations and far from the stage, which makes the percentage of errors received large. This device can avoid these errors that may appear inadvertently or by an executive error. For this, the researcher proposes a process of manufacturing a device that can perform lighting during the theatrical show, as a technical substitute for the lighting port, which calls for a process to reduce the percentage Errors that may occur during the theatrical show, in addition to the ease of programming and controlling it automatically, which contributes to the process of its spread in various types of theaters, even those in which there are no technicians or lighting technicians, and at a simple manufacturing cost that is not comparable to the cost of traditional control devices found in public theaters

References

(2016)., M. O. (2016). Aesthetics of the sound system in thetheatar. غير منشورة.

al-Basri, I. a.-H. (no date). light philosophy. Cairo: Ramses Press.

Al-Bulayhi, I. (2021, 1 23). Automatic confusion confuses life. Riyadh electronic magazine .

Al-Daradji, A. (2021/1/20). sensors. without .

Al-Kenani, M. (2004). Intuition of achievement in the creative structure between science and art. PhD thesis (unpublished), University of Baghdad, College of Fine Arts.

Al-Melegy, A. (2000). Technology in the plastic arts. Cairo: Horus for printing and publishing.

Al-Sheikhly, I. I. (1978). perspective. . University of Baghdad College of Fine Arts.

Bassiouni, M. (1980). Secrets of fine art. Cairo: World of Books Library.

Bently, E. (1975). . Modern theater theory. (Y. A.-M. Tharwat, Trans.) Baghdad: Ministry of Information.

colleague, N. J. (2001). Fundamentals of technical design. Dar Al-Kutub for printing and publishing, University of Baghdad, College .

colleague, N. J. (2001). Fundamentals of technical design. Baghdad University, College of Fine Arts: Dar Al-Kutub for printing and publishing.

Derrida, J. (1988). Writing and difference. (K. Jihad, Trans.) Casablanca: Dar Toubkal.

Esgro, G. (1999). Architecture and scenography in Italy.

Fadl, M. (no date). sensors. A study binding printed and published on the Internet .

Fattah, R. A. (1973). Composition in the plastic arts (Vol. Volume II). Cairo: Arab Renaissance House.

Fattah, R. A. (1973). Composition in the plastic arts (Vol. Volume II). Cairo: Arab Renaissance House.

Frederick, M. (1993). Drawing How do you taste it? configuration elements. baghdad: House of General Cultural Affairs.

Hamid, S. A. (2014). Visual arts and the genius of creativity. Publications of the Ministry of Culture.

harbirt, R. (1986). The Meaning of Art (Vol. two). (S. Khashaba, Trans.) Iraq Baghdad: House of General Cultural Affairs.

Ibrahim, m. (1983). Philosophical Lexicon. Cairo: General Authority for Amiri Press Affairs.

J.B. Sykes. (1976). , the conscious oxford Dictionary. Oxford University Press.

Jamil, J. (2002). Concept of light and dark. Egyptian General Book Authority.

Johnson, Kast and Rosanzwelg A. (1967). The Theory and Management of System, N. Y, Me Gark. Hill Book, Co.

Maalouf, L. (1956). Al-Munajjid in the Arabic language. Beirut - Lebanon: Catholic Press.

Machelly, J. (no date). Composition in the cinematic image. (H. Al-Nahhas, Trans.) without a publishing house.

Manzoor, A. a.-F.-D. (no). Arabes Tong. Beirut: Dar Al-Maarif for printing and publishing.

marhaba, D. M. (1988). with Greek philosophy. Beirut: Oweidat Publications.

Michelle, L. (1999). Advanced photography. (A.-A. imprisonment, Trans.) Damascus: Dar Al-Bashaer.

Mish, F. (. 1973). . Websters New Collegiate Dictionary. , U.S.A, Grand and 1184, Merriam Co.

Raby, E. (1995). Aesthetics between philosophy and creativity. Amman: Dar Al-Fikr.

Radi, N. F. (2010). Light between art and thought. Press of the Supreme Council of Antiquities Sixteenth National Festival of Egyptian Cinema.

Schmidt, E. (2013). The New Digital Age (Vol. one). (A. Haidar, Trans.) Arab House of Science Publishers.

Sherzad, S. I. (1985). Principles of art and architecture. Baghdad: Al-Dar Al-Arabiya.

Stallins, J. (1981). Art criticism. (F. Zakaria, Trans.) Beirut: The Arab Institute for Studies and Publishing.

Stanford Optener. (1968). . L. Systems for Business, . Management N. Y. Prentice- Hell- Inc. 2nd. Ed.

Traiba, A. (2003). The comprehensive dictionary in the Arabic language. Lebanon, Beirut.

Webster. (1973). Organized society. , Establishment.

Youssef, A. M. (2005). The aesthetic consort in the philosophy of the art form. Sharjah: Department of Culture and Information.

Zuhair…, H. (2019, October 11). What is sensitive? And how does it work. inter net .

Downloads

Published

2023-08-15

Issue

Section

Articles

How to Cite

Automatic operation of the optical system in the theatrical show. (2023). Al-Academy , 679-696. https://doi.org/10.35560/jcofarts1255

Publication Dates