Artistic processing of Emotional Scenes in the Narrative Film

Authors

  • ali anwer rasheed College of Fine Arts / University of Baghdad

DOI:

https://doi.org/10.35560/jcofarts1280

Keywords:

Artistic processing , Emotional Scenes , the Narrative Film

Abstract

This research entitled: "Artistic processing of Emotional Scenes in the Narrative Film" deals with how to process and embody those emotional scenes. As there are certain filmic elements that play an effective role in deepening the viewer's sense of the importance of those scenes, and that their presence in the film is necessary and inevitable, and cannot be dispensed because it forms an interconnected connection with the rest of the film's scenes, in addition to its dramatic and aesthetic value in the film in crystallizing the viewer's feelings and integrating him/her into the scene.
The research was divided into four chapters, the first chapter includes: the methodological framework, which represented the research problem, and brings the following question: What is the artistic processing of emotional scenes in the narrative film? The aim is to detect artistic processing of emotional scenes in the narrative film. The second chapter, covered theoretical framework. The first topic includes: the concept of emotion and feeling, the second topic: the artistic structure of the romantic scenes. The third chapter includes the research procedures and methodology and its performance, which are the theoretical indicators that come out from the theoretical framework. The research sample has included the narrative film (Malina starring the Italian actress "Monica Bellucci" and "Giuseppe Silvaro") screenplay and directed by "Gio Giuseppe Torrentor Re". The fourth chapter includes analysis and results .

References

Al-Khalidi , A. M & Abdel Aziz, M. M,(2020), Neuropsychology, Wael Publishing and Distribution House, Amman, Jordan, 1st edition,

Al-Meligy, Helmy ,( 2001) Personality Psychology, Arab Nahda Publishing House, Beirut, 1st edition, ,

Al-Muhandis ,H. Helmy, (1989), Screen Drama, Part 1, Egyptian General Book Authority.

Al-Muhandis ,H. Helmy, (1990), Screen Drama, Part 2, Egyptian General Book Authority.

Alton , John, (1964), Painting with Light, published by Soraya Hamdan, Egyptian Authority for Publishing and Printing, Egypt.

Anthony , Robert,(2005), Beyond Positive Thinking, translated by: Dr. Al-Sayyid Al-Mutawali Hassan, Jarir Bookstore, Riyadh, 1st edition.

Badawi , Abd al-Rahman, (1962), Martyr of Divine Love, Rabaa al-Adawiya, Egyptian Nahda Library for Printing and Publishing, 2nd edition.

Danziger , Ken, (2009), The Idea of Film Directing, 1st edition, translated by Ahmed Youssef, Cairo: National Center for Translation,

de Almeida& Bittencourt, ,(2020) , The concept of love: an exploratory study with a sample of young Brazilians , International Journal of Advanced Engineering Research and Science .

De Janetti , Louis, (1981), Understanding Cinema, Trans., Jaafar Ali, Al-Rasheed Publishing House, Baghdad.

Frosh , Stephen, (2011) , Feelings, translated by: Abdullah Askar, National Center for Translation, Cairo, 1st edition.

Hefner&Wilson, (2013 ) , From love at first sight to soul mate: The influence of romantic ideals in popular films on young people's beliefs about relationships, Article in Communication Monographs journal.

Hussein Helmy Al-Muhandis, Screen Drama, Part 2 (Egyptian General Book Authority, 1990).

Jassim , Alla Al-dean ,(2009) , Traits and features of postmodern cinema , University of Baghdad, College of Fine Arts, published research, Al-Academy Magazine.

Kadim, Jabarullah ,(2009) , the sound and its expression value in narrative film, University of Baghdad, College of Fine Arts, published research, Al-Academy Magazine.

Kochhar&Sharma , (2015) , Role of Love in Relationship Satisfaction, The International Journal of Indian Psychology Volume 3, Issue 1.

Lanier& Nicholas, (2005), film direction, translated by Atef Motamed Abdel Hamid, reviewed by Mona Al-Sabban ,Cairo: Al-Tanani Publishing and Distribution.

Machelli ,Joseph, (1983), Composition in the Cinematic Image, translated by Hashim Al-Nahhas, Egyptian General Book Authority.

Martin , Marcel, (1964), The Cinematic Language, translated by Saad Makkawi, Cairo: Egyptian House for Authoring and Translation, 173.

Radi , Maher, (2005), The Art of Light, Damascus: Ministry of Culture Publications.

Rasheed, Ali Anwar,( 2016), the relationship of psychological time to the elements of film expression, University of Baghdad, College of Fine Arts, published research, Al-Academy Magazine.

Sadiq , Adel, (1993) , The Meaning of Love, Dar Al-Sahwa for Publishing and Distribution, Egypt, 1st edition.

Stevenson&Dupree, (1993), Cinema is an Art, translated by Khaled Haddad , Damascus: Publications of the Ministry of Culture - General Organization for Cinem.

Stolnitz, Jerome, (1974), Art Criticism, translated by Fouad Zakaria, Ain Shams University Press, (1974).

Yuggs , Joseph, (1995), The Art of Watching Films, trans. Widad Abdullah, Egyptian Book Authority, Cairo.

Downloads

Published

2023-12-15

Issue

Section

Articles

How to Cite

Artistic processing of Emotional Scenes in the Narrative Film. (2023). Al-Academy , 110, 5-22. https://doi.org/10.35560/jcofarts1280

Publication Dates

Similar Articles

11-20 of 387

You may also start an advanced similarity search for this article.