No. 122 (2026)

View No. 122 (2026)
Published: 2026-06-01

Articles

  • Employing historical events in television drama

    Amal Taher Hassan, Ali Ismail Khalil
    5-20
    DOI: https://doi.org/10.35560/jcofarts1779

  • Design trends for digital advertising marketing culture

    Anhar Jameel Saber
    21-30
    DOI: https://doi.org/10.35560/jcofarts1781

  • The role of free artistic activities in promoting creative imagination among students at the Institute of Fine Arts

    Amal Nouri Aboud
    31-44
    DOI: https://doi.org/10.35560/jcofarts1783

  • The Dialectics of Spectator Performance in the Strategy of the Contemporary Iraqi Multimedia Theater

    Bahaa Abdul-Mohsin Hassan
    45-62
    DOI: https://doi.org/10.35560/jcofarts1784

  • Feminist discourse trends in the Iraqi theatrical performance "Khilaf" as a model

    Ammar Abd Salman
    63-74
    DOI: https://doi.org/10.35560/jcofarts1575

  • Public Speaking Skills in Acting Performances of Iraqi Theatre Shows

    Haider Abd Thamer
    75-90
    DOI: https://doi.org/10.35560/jcofarts1785

  • The melodic and rhythmic structure of national anthems in the Arab Gulf States region

    Khalil Ismail Khalil , Walid Hassan Al-Jabri
    91-98
    DOI: https://doi.org/10.35560/jcofarts1786

  • Directorial Treatment of Rebellion in Contemporary Iraqi Theatre Performances

    Khalel Fadhel Khalel , Suha Taha Salima
    99-116
    DOI: https://doi.org/10.35560/jcofarts1787

  • The Mechanisms of Space Formation in Contemporary Theater – The Play Days of Madness and Honey as a Model

    Rami Sameh Zaki
    117-128
    DOI: https://doi.org/10.35560/jcofarts1788

  • Symbolic interaction theory and its applications in the contexts of social interaction of industrial products

    Rusul Ghassan Awad , Jasim Khazaal Baheel
    129-142
    DOI: https://doi.org/10.35560/jcofarts1789

  • Directorial Work of Taboo in Contemporary Iraqi Theater Performances (The Play Ya Rab as a Model)

    Reham Fouad Awad
    143-152
    DOI: https://doi.org/10.35560/jcofarts1790

  • Converting the Omani Encyclopedia for Youth into a digital format to enhance knowledge investment through the artistic and aesthetic values embodied within it.

    Salman Amer Alhajri
    153-168
    DOI: https://doi.org/10.35560/jcofarts1791

  • Aesthetics of Employing Folklore Heritage in Fashion Design Techniques: Iraqi Designer Hana Sadiq as a Model

    Taif Jabbar Raoof Al-Smmrraie
    169-188
    DOI: https://doi.org/10.35560/jcofarts1792

  • The specificity of the academic actor's performance in Iraqi theatrical performance

    Aqeel Raheem Kareem Saleem
    189-198
    DOI: https://doi.org/10.35560/jcofarts1793

  • Manifestations of Folk Heritage in the Artistic Productions of Art Education Students at the Open Educational College (An Analytical Study)

    Sana Abdul Ameer Hussain
    199-212
    DOI: https://doi.org/10.35560/jcofarts1752

  • Digital design techniques and its effectiveness in contemporary fashion fabric " Pixel art model"

    Ghufran Abdulkareem Jebur, Hind Mohammed Sahab
    213-230
    DOI: https://doi.org/10.35560/jcofarts1795

  • Experimental scenographic treatments in Iraqi theatre performances

    Saif Al-Din Hamid Muhammad Kati
    231-246
    DOI: https://doi.org/10.35560/jcofarts1794

  • Digital Space and its Variables in Graphic Design

    Ahmed Shaker Hannoun, Akram Jirjis Naama
    247-258
    DOI: https://doi.org/10.35560/jcofarts1796

  • Intuitive Thinking and Its Relationship to Aesthetic Awareness among Art Education Students

    Lina Ayad Mohammed Hassan , Salih Ahmed Al-Fahdaw
    259-270
    DOI: https://doi.org/10.35560/jcofarts1797

  • Artistic Creativity Between Human and Generative Models: Conceptual Transformations in Contemporary Art

    Ramia A. Al Gharsan
    271-286
    DOI: https://doi.org/10.35560/jcofarts1772

  • The dialectic in the concept of Postmodernism

    Faylaq Fathi M. Ali
    287-300
    DOI: https://doi.org/10.35560/jcofarts1798

  • The Aesthetics of Virtual Reality Technology as an Approach to Digital Storytelling in Contemporary Saudi Art

    Hala bint Ghasham bin Salem Al-Mouka, Abeer bint Saad bin Hamad Al-Muqrin
    301-318
    DOI: https://doi.org/10.35560/jcofarts1799

  • Dramatic Treatment of Historical Events in Television Drama Series "Abu Tabr as a Model"

    Lubna Ali Mansour Hussein , Fadhel Jati Salman
    319-330
    DOI: https://doi.org/10.35560/jcofarts1800

  • The implications of ritual theater in an actor's performance of an educational theatrical performance (the play "Azhar" as a example)

    Muhammad Abdel Hamid Abdel Hussein
    331-344
    DOI: https://doi.org/10.35560/jcofarts1610

  • Representations of the Poetic Tendency in Contemporary Narrative Cinema

    Mohammed Odeh dakhil
    345-368
    DOI: https://doi.org/10.35560/jcofarts1801

  • Pop art is embodied in contemporary ceramics "An analytical study of ceramic works inspired by consumer culture"

    Mayasa Muhammad Assi , Zainab Kazem Saleh
    369-380
    DOI: https://doi.org/10.35560/jcofarts1802

  • Creating artistic dimensions for the artist William Morris's decorations, blended with the authenticity of Sadu patterns, and employing them in artistic pendants to develop small projects.

    Marwan Ahmed Mahmoud Maghrabi
    381-408
    DOI: https://doi.org/10.35560/jcofarts1805

  • The Effectiveness of Employing BioGeometry Decorative Motifs as an Aesthetic Approach to Enhancing Psychological Comfort in Men's Clothing Design

    Nourah Mohsen Mohammed Al-Dajani , Sahar Ali Zaghloul
    409-432
    DOI: https://doi.org/10.35560/jcofarts1774

  • The energy of color in the interior spaces of the house and its reflection on the quality of family life

    Afnan Mohammed Omar Basri
    433-464
    DOI: https://doi.org/10.35560/jcofarts1806

  • Quality assurance in the garment industry: Diagnosis and improvement

    Thouraya Hamdi
    465-492
    DOI: https://doi.org/10.35560/jcofarts1766