The meanings of the symbol in wall ceramics and its representations in the products of students of the Department of Art Education
DOI:
https://doi.org/10.35560/jcofarts1363Keywords:
revelation , symbol , wall ceramics , representationAbstract
The goal of this research is to reveal the aesthetic characteristics of wall ceramic art in students’ works. To achieve the goal of the research, the researcher prepared a research tool consisting of paragraphs to measure what she found to measure, after it was approved by a group of arbitrators within the art education specialty, and it was applied to bachelor’s students in the Department of Education. Technical for the academic year (2022-2023). In light of the tool, the researcher reached a number of results and conclusions, the most prominent of which are:
1. Some types of shapes in wall ceramic work have a pictorial approach in their formal and color relationships, and this is embodied in the students’ works and this appears in sample (1-2)
2. The artistic and aesthetic characteristics emphasized the student’s interest in space, texture, color, movement, and the direction of lines to confirm the dominance of artistic elements as in the samples (1-2-3).
3. Contemporary wall ceramics gave a circulation context through its intertwining in Iraqi architecture and giving a diverse rhythm to the wall.
References
Ibrahim, Zakaria, The Artist and the Human Being, Gharib Library, Cairo, B.T.
Ibrahim, Zakaria: The Philosophy of Art in Contemporary Thought, Egypt Library and Dar Al-Murtada, Iraq, 1988.
Ibrahim, Laila Hussein, Culture between Authenticity and Modernity and its Role in the Preparation of the Art Teacher, Conference on Fine Art Culture, Cairo, 1987.
Ibrahim, Wafaa Mohamed, Aesthetics - Historical and Contemporary Issues, Gharib Printing Library, Cairo, B.T.
Aburian, Muhammad Ali, the philosophy of beauty and the emergence of fine arts, Egyptian Universities House, 5th Edition, 1977.
Abu Sheikha, Yasmine Nazih and Adly Mohammed Abdul Hadi, Studies in Aesthetics, Arab Society Library, Jordan, 2009.
Ernst, Fischer, The Necessity of Art, translated by Asaad Halim, Egyptian General Authority for Books, Egypt, 1986.
Ismail, Shawky Ismail, Design, its elements and foundations in plastic art, Dar Al-Maaref, Cairo, 2000.
Barthelemy, Jean, Research in Aesthetics, translated by Anwar Abdel Aziz, Dar Nahdet Misr, Cairo, 1970.
Bou Mounir, Kamal: Aesthetic issues from their ancient origins to their contemporary connotations, Knowledge Forum, Beirut, Lebanon, 1st Edition, 2010.
Tawfiq, Said, a study in the philosophy of phenomenological beauty - aesthetic experience, University Institute for Studies and Publishing, Beirut, 1st Edition, 1992.
Chadirji, Rifa'a, The Attribute of Beauty in Human Consciousness, Center for Arab Unity Studies, Beirut, 2013.
Hassan, Maher Abdel Mohsen, The Concept of Aesthetic Awareness, Dar Al-Tanwir, Beirut, 2004.
Haidar, Abd Najm, Aesthetics - its horizons and development, Al-Fikr Academic Library, Baghdad, 2001.
Al-Dahhan, Badr, in the philosophy of art and aesthetics, Department of Culture, Morocco, 2020.
Reed, She Escaped, Education through Art, translated by Abdel Aziz Tawfik, Egyptian General Authority for Books, Egypt, 1996.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 Hanan sobaih hussaen, Ahmed Shams Attia
This work is licensed under a Creative Commons Attribution 4.0 International License.
