No. 120 (2026)

View No. 120 (2026)
Published: 2026-02-01

Full Issue

Articles

  • Visual Dimensions of Scenography for Sports Championship Performances

    Ihsan Ali Hussein Taqi
    5-22
    DOI: https://doi.org/10.35560/jcofarts1716

  • Mock representations of horror in television dramas

    Ahmed Hameed Zghaer
    23-36
    DOI: https://doi.org/10.35560/jcofarts1717

  • Spite in contemporary graphic discourse

    Ahmed Faisal Reshak
    37-60
    DOI: https://doi.org/10.35560/jcofarts1718

  • Mechanisms of chaos in postmodern arts (Pop Art - graphite art is an example)

    Ahmed Nouri H. Hassan Al-Mohammedi , Muhammad Saadi Lafta
    61-78
    DOI: https://doi.org/10.35560/jcofarts1719

  • The role of artificial intelligence in helping the blind achieve sustainable training in the arts

    Areej Mohammed Al-Zailay
    79-92
    DOI: https://doi.org/10.35560/jcofarts1690

  • Stylistic features of director Asghar Farhadi

    Osama Faraj dakhl
    93-108
    DOI: https://doi.org/10.35560/jcofarts1465

  • Critical ethnography and its representations in the works of the potter Djako Kasi Natale

    Israa Fakhir Zyarah
    109-122
    DOI: https://doi.org/10.35560/jcofarts1720

  • Visual Formation in Designs of Fabrics and Costumes for Feature Films

    Ashjan Mohammed Jassim , Ruya Hamid Yassin
    123-134
    DOI: https://doi.org/10.35560/jcofarts1721

  • The possibility of combining sustainable materials in furnishing the interior spaces of the home in an innovative way

    Afnan Mohammed Omar Basri
    135-160
    DOI: https://doi.org/10.35560/jcofarts1722

  • Enhancing Interactive Design in Educational Furniture (Interactive Table as a Model)

    Aya Abdel Fattah Ali Ahmed , Nawal Mohsen Ali
    161-174
    DOI: https://doi.org/10.35560/jcofarts1723

  • Directive treatment and overlapping of times in contemporary Iraqi theater performances

    Jarir Abdullah Hussein
    175-190
    DOI: https://doi.org/10.35560/jcofarts1724

  • The Creative Embodiment of the Omani Physalis Plant Through Ceramic Sculpture: An Experimental Study

    Hatem bin Hamid bin Muhammad Al-Shu'aili, Salman bin Amer bin Salem Al-Hajri
    191-200
    DOI: https://doi.org/10.35560/jcofarts1555

  • Antithetical Binaries and Their Representations in Contemporary Digital Art – Artist  Turkish Ugur Gallen as a Model

    Hussein Shaker Qassim Al-Aydani
    201-220
    DOI: https://doi.org/10.35560/jcofarts1668

  • National Identity and Cultural Belonging in the Drawings of Kuwaiti Children

    Hamad Abdulwahab Alansari
    221-240
    DOI: https://doi.org/10.35560/jcofarts1684

  • The expressive values of textile and costume designs in the scenography of the Iraqi theatrical show

    Diyar Fawzi Muhammad , Faten Ali Hussain
    241-252
    DOI: https://doi.org/10.35560/jcofarts1725

  • Aesthetics of movement and direction in the artistic achievement of students of the Department of Art Education

    Ruba Ibrahim Nehme
    253-266
    DOI: https://doi.org/10.35560/jcofarts1726

  • Classical art schools and their impact on modern digital design

    Sultan Albaheli, Öğr. Üyesi fırat Arapoğlu
    267-278
    DOI: https://doi.org/10.35560/jcofarts1417

  • Communication and openness of performance contexts in postmodern formation

    Suha Abdul Jabbar Rashid, Sahib Jasim Hasan AL-Bayati
    279-292
    DOI: https://doi.org/10.35560/jcofarts1727

  • The Role of Minimalism in Achieving Sustainable Development for Contemporary Buildings"

    Sabry Jasim Mohammed Hasan , Reyad Hamed Marzouk
    293-308
    DOI: https://doi.org/10.35560/jcofarts1504

  • Directorial Treatment of Social Phenomena in Korean Cinema

    Ali Karim Abdul Hassan
    309-330
    DOI: https://doi.org/10.35560/jcofarts1728

  • Multimedia and Its Role in the Field of Teaching from the Perspective of Students in the Department of Art Education

    Ali Majeed Hussein , Najla Khader Hassan
    331-344
    DOI: https://doi.org/10.35560/jcofarts1729

  • The melodic structure of the Armenian choir in Iraq

    Karon Burjaneek Krikor, Maysam Hirmiz Toma
    345-360
    DOI: https://doi.org/10.35560/jcofarts1730

  • Robert Fenne's style and the features of the expressionist school in world cinema

    Kamal Shanawi Dheyab
    361-372
    DOI: https://doi.org/10.35560/jcofarts1731

  • The Aesthetics of Silence and Nonverbal Performance in the Kuwaiti Film “The Beast of the Wedding Fire”: An Approach to Visual Expression

    Mona bin Shadad Al-Maliki
    373-386
    DOI: https://doi.org/10.35560/jcofarts1702

  • The artistic operations of visual composition elements and pictorial language in constructing the television image

    Marwan Safaa Al-Din Hassan Khalaf
    387-402
    DOI: https://doi.org/10.35560/jcofarts1732

  • Features of acting performance in the Iraqi political theatrical show

    Muroj Hatem Mushref , Ahmed Muhammad Abdul Amir
    403-414
    DOI: https://doi.org/10.35560/jcofarts1733

  • Characteristics of artistic expression in drawing among blind students

    Musab Saber Abbas , Mohammed Abdullah Ghaidan
    415-428
    DOI: https://doi.org/10.35560/jcofarts1734

  • Stylistic features of black cinema in America

    Hashem Najaf najem, Salem Shadhan ghuben
    429-440
    DOI: https://doi.org/10.35560/jcofarts1463

  • The Impact of the ESMOD Pattern-making Method on Fashion Design Students in Developing their Knowledge, Technical Skills, and Creative Abilities.

    MAY AlRasheed, Thouraya Hamdi
    441-452
    DOI: https://doi.org/10.35560/jcofarts1703

  • Aesthetic and Cognitive Integration: Formulations in Ceramic Modeling as an Input to Enrich Contemporary Ceramic Production

    Bayan Eid Albaheth , Abeer Saad Almogren
    453-472
    DOI: https://doi.org/10.35560/jcofarts1735