Data of religious thought and its reflections in modern textile designs

Authors

  • Asaad Ati Halil Saad Al-Moussawi Institute of Applied Arts - Central Technical University - Iraq

DOI:

https://doi.org/10.35560/jcofarts1514

Keywords:

data, religious thought

Abstract

Textiles are among the consumer products that people cannot do without, because of their utilitarian value, in addition to their aesthetic value, which expresses all aspects of society, as they are affected, like other arts, by their data Intellectual design to derive its design units from reality, and its ability to derive new design ideas resulting from the designer’s own sensitivity to the references from which design thought is derived. The research problem was determined according to the following question: What are the data of religious (Islamic) thought and its implications on the designs of modern curtain fabrics?

The importance of the research was evident in shedding light on the data of religious thought and its reflections in the designs of modern curtain fabrics through the following goal: defining the data of religious (Islamic) thought and its reflections in the designs of modern fabrics.The second chapter included the theoretical framework, which consisted of two sections. The first section dealt with the concept of thought and its data, and the data of religious thought. As for the second, it included the reflection of the symbol and the significance of shapes in textile designs, and the reflection of style in modern textile designs. After that, the most important indicators that resulted from the theoretical framework were extracted, as the research procedures were determined within the third chapter by adopting the descriptive method of analysis for the purpose of analyzing the sample models from the original research population, which amounted to (16) design models (Iraqi / Turkish), which were chosen intentionally by ( 25%), as their number reached (4) design shapes distributed according to the country of origin. As for the fourth chapter, it included the results and conclusions reached by the study, the most prominent of which was: that using reality data directly in building design thought reduced the intellectual reflection of the data of Islamic art, and this was linked to the compositional organization of decorative forms and their artistic treatments.The same chapter also included recommendations, including: paying attention to studying Islamic art in the field of precise specialization (textile design) and linking Islamic thought with modern scientific theories to revive the Islamic heritage and achieve authenticity. In light of the recommendations, the research suggested conducting a comparative study between the methods of the school (Safavid and Turkish) and their implications for designs. Iraqi fabrics, as well as Arab and foreign sources

References

Abu Hashem, A. S. (1999). The Architecture of Islamic Art. Cairo: Dar Al-Tala’i for Publishing, Distribution and Export, Nasr City.

Al-Alfi, A. S.-i.-i.-M. ( b, t). Islamic art (its origins - its philosophy - its schools),. Cairo: Dar Al-Maaref in Egypt,.

Al-Azhari, A. M. (b, t.). Refinement of the Language. Cairo: Part One, Egyptian House for Writing and Translation, Arab Register Press.

Al-Baghdadi, F. (1978). What is Religion. Baghdad: University Press.

Al-Bakri, A. P. (D.T.). Philosophy for All People. D.N: D.N.

Al-Husseini, I. H. (2008). Art of Design Philosophy Theory. Sharjah: House of Culture and Media.

Al-Janabi, T. J. (1995). Iraqi Architecture, Iraqi Civilization. Iraqi: Al-Hurriya Printing House.

Al-Munjid. (2000). Al-Munjid Al-Abjad. barot: Dar Al-Mashriq, Catholic Press.

Al-Shall, A.-G. A.-N. (1994). Terms in Art and Art Education. Riyadh: Deanship of Library Affairs.

Al-Wasit, A.-M. (2000). Al-Mu’jam Al-Wasit. Cairo: Third Edition, Arab Society Press.

Al-Zoghbi, Y. S. (1998). The Effect of Environmental Conditions on Architectural Formation, Dialectic of Form in Architecture. Baghdad,: University of Baghdad.

Amin, A. (2007). From Literary Criticism. , Beirut: Dar Al-Kitab Al-Arabi.

Arafat, S. O.-A.-A. (2011). Islamic Art. Amman, Jordan: Dar Al-Assar Al-Alami for Publishing and Distribution.

Berger, A. A. (2012). Media and Society, a Critical Point of View. Kuwait: a Critical Point of View, translated by Saleh Khalil Abu Isbaa, a series of monthly cultural books issued by the National Council for Culture, Arts and Literature.

Chartier, A.-E. ( 2015). The System of Fine Arts. Damascus,: Dar Al-Numan for Studies, Publishing and Media Services,.

Daraz al-Din, B. A. (2005). Religion’s position on science. Damascus: Ministry of Culture and National Guidance.

Fakhoury, A. (1990). Semantics among the Arabs. Beirut: Dar Al-Tali’ah for Printing and Publishing.

Farzat, S. (2002). An Introduction to Aestheticism in Islamic Architecture. London: Arab Arts Magazine.

Giraud, P. (2000). Alchemy. Paris: Oweidat Publications.

Hamouda, M. H. (1980). Art of Decoration. Beirut: AL hrie brntr.

Harkous, A. A.-H. (2009). Sculpture and Interpretation of Art between the Need of the Age and the Controls of Religion. Beirut, Lebanon: Dar Al-Hadi for Printing, Publishing and Distribution, first edition.

Hegel. (B. T). Classical Romantic Symbolic Art. Beirut:: Al-Tali’ah Printing and Publishing House.

Herbert Read, T. S. (2000). The Styles of European Art, Introduced By. London: Herbert Read, Thames and Hudson.

Hoyeg, R. (1998). Art is its interpretation and its paths. Damascus: Ministry of Culture and National Guidanc.

Ibrahim, Z. ( n.d). Kant, Critical Philosophy. Cairo: b.m.

Ismail, Q. M. (B.T). Philosophy in the Light of Sociology. Cairo, Egypt: Arabic Books for Printing and Publishin.

Jamil, S. (1989). The Philosophical Dictionary. Beirut: Dar Al-Kitab Al-Lubnab.

-Jasmani, A. A. (1980). The Purposeful Theory in Psychology. Al-Emirates: Al-Quds Library.

Lalande, A. (2001). Lalande’s Philosophical Encyclopedia. Beirut: Awidat Publications.

Lalo, C. (2000). Art and Society. Beirut,: Dar Al-Anwar.

Madkour, I. (1999). The Philosophical Dictionary. Cairo: General Authority for Government Printing Affairs.

Majid, A. R. (e.d). Doctrines and Concepts in Philosophy and Sociology. Beirut: Modern Library Publications.

Marzouk, M. A. (2005). Islamic Art. Kuwait: Islamic Art, Kuwait.

Massoud, G. (1980). The Pioneer, a linguistic dictionary. Beirut: Dar Al-Ilm Lil-Malayin.

Muhammad, A. A. (1975). Western Political Thought. Egyptian: Egyptian Universities House.

Muhammad, N. J. (2000). Design, Thought and Ideas. Baghdad: Ministry of Culture and Information.

Nuri Jaafar: Thought, i. n. (1979). Thought, its nature and development. Libya: Libyan University Publications.

Omar, A. M. (2008). Dictionary of the Arabic Language. Cairo: Alam Al-Kutub, 1st ed., Cairo.

Shakerl, A. H. (1987). The Creative Process in the Art of Photography. Kuwait: a series of monthly cultural books issued by the National Council for Culture, Arts and Literature.

translated from French, Salman Harfouche: Dar Al-Numan for Studies, Publishing and Media Services, Damascus, 2015 Alain-Emile Chartier: The System of Fine Arts.

Downloads

Published

2024-12-15

Issue

Section

Articles

How to Cite

Data of religious thought and its reflections in modern textile designs. (2024). Al-Academy , 114, 205-220. https://doi.org/10.35560/jcofarts1514

Publication Dates

Similar Articles

41-50 of 245

You may also start an advanced similarity search for this article.