Artwork And The Pictorial Impact: The Material Preminence And The Emergence Of Meaning

Authors

  • hafedh Mohamed Rekik Full Professor in Sciences & Technology of Design-Department of Architecture- College of Architecture & Planning- Qassim University. Saudi Arabia
  • Saoussen Albechir Zarrad Associate Professor in Art & Sciences of Art-Department of Plastic Art- College of Arts & designs- Qassim University. Saudi Arabia

DOI:

https://doi.org/10.35560/jcofarts1530

Keywords:

Pictorial Materiality- Artistic Identity- Image and Material – Phenomenology- Contemporary Art

Abstract

The article analyzes the role of material not only as a technical medium for creating image but also as an autonomous semantically meaningful system of expression that provides the image with substance and shapes the identity of the artwork. We investigate how material became a central element of artistic expression, bridging the gap between visual image and sensory experience.

The study traces the development of material in visual art, from the dominance of representational forms throughout much of art history to contemporary abstraction, which redefined the artwork beyond traditional image. It highlights significant transformations in the use of material, particularly with movements such as collage and art brut, where material emerged as a decisive factor in creating visual and emotional impact. These shifts emphasize how material evolved into a core component of modern and contemporary art, shaping interactions between artworks and their audiences.

On a philosophical level, the study applies phenomenological theory to analyze how an artwork transcends its physical properties, engaging viewers in perceptual and cognitive experiences. We also consider the role of abstract elements like color, texture, and depth in redefining the artwork as an independent entity. This leads us to ask ourselves: can material be separated from image, or is it the foundation from which artistic meaning emerges and continues to evolve?

Author Biographies

  • hafedh Mohamed Rekik, Full Professor in Sciences & Technology of Design-Department of Architecture- College of Architecture & Planning- Qassim University. Saudi Arabia

    Hafez Mohamed Al-Raqiq

    Nationality: Tunisian

    Professor of Higher Education in Design Sciences and Technologies

    Professional Artist and Designer

    Former Dean of the Higher School of Design Sciences and Technologies/University of Manouba/Tunisia

    Teaching experience since 1985/Currently a faculty member in the Faculty of Architecture and Planning/Qassim University

    Researcher in: Fine Arts - Design - Cinema Decor - Architectural Heritage

  • Saoussen Albechir Zarrad, Associate Professor in Art & Sciences of Art-Department of Plastic Art- College of Arts & designs- Qassim University. Saudi Arabia

    Saoussen Albechir Zarrad

    Nationality: Tunisian

    Assistant Professor of Art and Art Sciences

    Faculty member at the College of Arts and Designs/Qassim University/Saudi Arabia

    PhD holder from Sorbonne University/France

    Professional visual artist in oil painting and artistic wall carpets

    Teaching experience since 1995

    Researcher in: Visual Arts - Traditional Crafts - Heritage

References

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Published

2023-12-15

Issue

Section

Articles

How to Cite

Artwork And The Pictorial Impact: The Material Preminence And The Emergence Of Meaning. (2023). Al-Academy , 110, 543-560. https://doi.org/10.35560/jcofarts1530

Publication Dates

Received

2023-11-02

Accepted

2023-11-25

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