The aesthetic relationship between the intellectual and technical aspects in contemporary Iraqi painting
DOI:
https://doi.org/10.35560/jcofarts1520Keywords:
The aesthetic relationship, thought, technologyAbstract
Every work of art must be composed of matter, which does not take on its characteristics until the artist deals with it. Therefore, the beauty of work of art is not limited the field of the subject matter that it represents, but rather is manifested in the core of the sensory appearance of the work of art and the self that overflows into it from what you possess intellectually give it aesthetics. Therefore, the researcher began study the aesthetic relationship between both the material and the thought process. The research consisted of four chapters: first (the general framework of the research): dealing with the presentation of the research problem, then the basics of the research framework of importance, purpose, and limits. chapter concluded by defining the terms. The second (theoretical framework and previous studies): which included three sections: The first: was devoted studying the concept of aesthetics in two fields: philosophy and artistic work. second section: It specialized in studying the intellectual and performance experience in art, while third section dealt with the intellectual and performance experience in contemporary Iraqi painting. After that, the indicators resulting from the theoretical framework were mentioned. third chapter (research procedures): consists of a research methodology, the research community, as well as selecting the research tool (observation) to achieve its goals. After that, the sample samples were analyzed according a philosophical vision with aesthetic dimensions. While fourth chapter included (results, conclusions, recommendations and proposals)
References
Muhyi al-Din, A.-H. M. (1934). Al-Mukhtar from Sihah al-Lughah. Cairo: Al-Istaqama Press.
Abd al-Hamid . (1979). Arabic Language Academy: Philosophical Dictionary. Egypt: General Authority for Princely Printing Affairs.
Abdel Amir, A. (2004). Iraqi painting, modernity, adaptation. Baghdad: General Cultural Affairs House.
Abdel Hamid, S. (1990). Aesthetic preference, a study in the psychology of artistic taste. Kuwait: The National Council for Culture.
Abdo, M. (n.d.). The philosophy of beauty and the role of the mind in artistic creativity. Cairo: Madbouly Library.
Abu Talib, M. S. (1990). Research Methodology. Baghdad: Dar Al-Hekma Printing and Publishing.
Adnan, A. S. (2006). Technology and its transformations in modern painting. Baghdad: College of Fine Arts.
Al Saeed, S. H. (1988). Chapters from the history of the plastic movement. Baghdad: General Cultural Affairs House.
Al Saeed, S. H. (1992). Contemporary Iraqi Plastic Art. Baghdad: Arab Organization for Culture and Science Press, .
Al Saeed, S. H. (1994). Essays on theorizing and artistic criticism. Baghdad: General Cultural Affairs House.
Al Wadi, A. S. (2006). Philosophy of art and aesthetics. Al-Hillah: Dar Al-Arqam Printing.
Al-Basiouni, M. (1990). Art in the twentieth century. Sharjah : Misr Publishing House, Misr Publishing Library, .
Al-Moussawi, L. (2007). Sociology of art, ways of seeing. Kuwait: World of Knowledge.
Al-Rubaie, S. (1986). Contemporary Fine Art in the Arab World, 1885-1985 . Baghdad: House of Cultural Affairs .
Al-Sarraf, A. (1979). Horizons of Fine Criticism. Baghdad: Dar Al-Hurriya for Printing and Publishing.
Awad, R. (1994). Introductions to the philosophy of art. Beirut: Tripoli-Beirut.
Azma, M. A. (1986). Aesthetics, Arab Thought. Alexandria: Alexandria.
Badawi, A. (1990). Supplement to the Encyclopedia of Philosophy. Beirut: Arab Foundation for Studies and Publishing.
Dewey, J. (2011). Art is Experience. (Z. Ibrahim, Trans.) Cairo: National Center for Translation.
Ernst, F. (2000). The necessity of art. (M. Suleiman, Trans.) Baghdad: Dar Al-Haqiqa for Printing and Publishing.
Hashem, A. A. (2021). Sources of the plastic vision in contemporary Iraqi painting, , . Basrah: College of Fine Arts, University of Basra.
Hegel. (1978). Selections . (E. Morcos, Trans.) Beirut: Dar Al-Tali’ah, Beirut.
Hunter, M. (1986). Philosophy, its types and problems. Transcript. (F. Zakaria, Trans.) Cairo: Anglo.
Ibn Manzur. (1956). Lisan al-Arab. Cairo: Egyptian General Institution for Authoring and Publishing, Egyptian House for Authoring and Translation.
Ibrahim, Z. (1990). Studies in Contemporary Philosophy, . cairo: Misr Publishing House, Misr Publishing Library.
J. F. , L. (1991). Research in human understanding and the theory of knowledge. Cairo: Madbouly Library.
Jenzy, H. T. (2020). Body Transformations in Drawings the Artist Muhammed Mehraddin. Al-Academy(95), 16-18. doi:https://doi.org/10.35560/jcofarts95/143-160
Jerome, S. (1974). Art criticism, an aesthetic and philosophical study. (F. Zakaria, Trans.) syria: Ain Shams University.
Kamel, F. (1993). Figures of contemporary philosophical thought. Beirut: Dar Al-Jeel.
Kamel, F. (1993). Figures of contemporary philosophical thought. Beirut: Dar Al-Jeel.
Maalouf, L. (1990). Al-Munajjid In Language and Media. Beirut: Dar Al-Mashreq.
Mahdi, A. (2007). The aesthetic question. Baghdad: Ishtar Cultural, published by , the Iraqi Plastic Artists Association.
Matar, A. H. (1992). Introduction to Aesthetics and the Philosophy of Art.
Munro, T. (1971). Development in the Arts. (M. Ali Abu Durrah , & and others, Trans.) Cairo: Egyptian General Authority for Copyright and Publishing.
Naif, N. H. (2000). The axis of philosophy, psychology and sociology. Bghdad: works Press.
Nobler, N. (1987). The Vision Dialogue. (F. Khalil, Trans.) Baghdad: Dar Al-Ma’mun for Translation and Publishing.
Reed, H. (1986). The Meaning of Art. (S. Khashaba, Trans.) Baghdad: General Cultural Affairs House.
Reid, H. (1990). Meaning of art. (S. Khashba, Trans.) Cairo: Dar Al-Kitab Al-Arabi for Printing and Publishing.
Saliba , J. (1971). The Philosophical Dictionary. Beirut: Lebanese Book House.
Salim, N. (1977). Contemporary Iraqi Art. Milan : The Art of Photography.
