No. 112 (2024)

					View No. 112 (2024)
Published: 2024-06-15

Articles

  • Aesthetic Composition Systems of Writings and Texts in Contemporary Arab Sculpture

    AHMED J. ZBOON
    9-28
    DOI: https://doi.org/10.35560/jcofarts1357
  • The carnival directorial image and its representations in the contemporary Iraqi theatrical show. (Othello in the kitchen) An example.

    Azhar Wasi Hassan, Soha Taha Salem
    29-40
    DOI: https://doi.org/10.35560/jcofarts1161
  • Stereotyping and its manifestations in the theater of Eugene Ionesco

    Aseel Abdel-Khaleq
    41-60
    DOI: https://doi.org/10.35560/jcofarts1377
  • The art of collage and its applications in the structure of fashion fabric designs

    Ashjan mohammed jasim
    61-74
    DOI: https://doi.org/10.35560/jcofarts1299
  • Thinking of the Moving body in motion as the starting point for the fashion design

    furat jamal hassan
    75-86
    DOI: https://doi.org/10.35560/jcofarts1401
  • Stereotypes in the performance of young actors in the contemporary Iraqi theater

    Russil kadim Oda , Alaa Hussein Ali
    87-102
    DOI: https://doi.org/10.35560/jcofarts1306
  • Requirements and characteristics of websites designed for universities in view of modern digital technologies

    Intesar Rasmi Mousa
    103-124
    DOI: https://doi.org/10.35560/jcofarts1387
  • The aesthetic and educational use of music and sound effects in the structure of school theater performances

    Inam Maan Ibrahim
    125-140
    DOI: https://doi.org/10.35560/jcofarts1188
  • Design objectives of the mask in children's theater performances

    Baraa Shakib Akram Al-Salihi
    141-156
    DOI: https://doi.org/10.35560/jcofarts1157
  • Metaphysical pictorial discourse in graphic design

    Bushra Mahmood Mustafa
    157-172
    DOI: https://doi.org/10.35560/jcofarts1263
  • Design variables and their reflection on industrial product personality and its connection to the user

    Jasim Khazaal Baheel
    173-190
    DOI: https://doi.org/10.35560/jcofarts1386
  • Chauvinistic Features in The Designs of Political Propaganda Posters

    Akram Abdulsattar Mohsin, Akram Jirjees Neamah
    191-208
    DOI: https://doi.org/10.35560/jcofarts1462
  • The aesthetics of forming acting performance in children's theater performances

    Hayder Jaafar Aldaghlawy
    209-222
    DOI: https://doi.org/10.35560/jcofarts1262
  • Intellectual dimensions in the production of films for digital platforms (Netflix platform as a model)

    Donia Adel Sadeq, Hikmat Al-Baydani
    223-240
    DOI: https://doi.org/10.35560/jcofarts1261
  • The Aesthetics of Fractal Geometry as an Introduction to The Development of Contemporary Ceramics

    Reyof Badr Bin Batla, Reem Ibrahim Alodan
    241-268
    DOI: https://doi.org/10.35560/jcofarts1303
  • Cinematie Treatments of Fantasy in Mythology films

    Salem S.Ghaban
    269-290
    DOI: https://doi.org/10.35560/jcofarts1266
  • Connotations of the comedic text between the internal and external levels in the cinematic film... The Modern Times film as an example

    Salah Mohammed Taha
    291-308
    DOI: https://doi.org/10.35560/jcofarts1318
  • The embodiment of movement in the cinematic artistic achievement in the technical style

    Abdul Naser Mustafa Ibrahim
    309-328
    DOI: https://doi.org/10.35560/jcofarts1286
  • The role of installation artists in Expressing contemporary issues

    Ali Al-Jahouri, Fakhriya Al-Yahyai
    329-342
    DOI: https://doi.org/10.35560/jcofarts1304
  • Building a model to evaluate the performance of the arts branch teacher in the preparatory stage

    Alia Mohsen Abdul Hussein
    343-366
    DOI: https://doi.org/10.35560/jcofarts1365
  • The impact of the fourth industrial revolution on the formation of metal Jewelry in the light of fractal geometry

    Ghadah Abdulrahman Alfaisal
    367-390
    DOI: https://doi.org/10.35560/jcofarts1364
  • Islamic Carpet Decorations in Persian Manuscript Illustrations

    Maa’ida Tariq Mohammed
    391-404
    DOI: https://doi.org/10.35560/jcofarts1370
  • The Importance Of Arts Management And Arts Entrepreneurship In The Creative Economy

    Latifa Abdul Rahman Muhammad Al-Faisal
    405-424
    DOI: https://doi.org/10.35560/jcofarts1335
  • Pure Continuity in Drama: The Case Study of the Theoretical Performance of Gilgamesh Who Saw

    mudhad ajel hassan
    425-440
    DOI: https://doi.org/10.35560/jcofarts1468
  • Employing dialogue aesthetically in Iraqi drama

    Waleed majeed odhair
    441-456
    DOI: https://doi.org/10.35560/jcofarts1383
  • Manifestations of utopia and dystopia in the magazine cover design

    Hasan Falih Hasan, Nsiyf Jassem Mohammed
    457-472
    DOI: https://doi.org/10.35560/jcofarts1394
  • The effectiveness of educational design according to the Roberts model for developing creative thinking and performance skills for students of the Institute of Fine Arts in the subject of interior design

    Rawa Hamdi Rashid Al-Jaf, Hussein Mohammed Ali Al Saqi
    473-504
    DOI: https://doi.org/10.35560/jcofarts1392
  • Iconic expression in the designs of bullying posters

    Lina Saad Hashim, Maha Moayed Abdel Hussein Nasser
    505-526
    DOI: https://doi.org/10.35560/jcofarts1395
  • The exotic image is represented in the print advertisement

    Israa Hazbar Mahdi , Ghazi Laibi Majeed
    527-540
    DOI: https://doi.org/10.35560/jcofarts1378
  • Structures that support multi-functionality in interior spaces )apartments with limited space)

    Rawan Abd Al Wahab Muhammad, Faten Abbas lafta
    541-558
    DOI: https://doi.org/10.35560/jcofarts1312