Cinematie Treatments of Fantasy in Mythology films
DOI:
https://doi.org/10.35560/jcofarts1266Keywords:
Cinema Fantasy Mythology treatmentsAbstract
Fantasy represents the basic material for science، literature، and all the arts. It is an absolute necessity for building any cinematic genre. It also represents an essential building block that cannot be abandoned in a movie based on a legend. This prompted the researcher to title his research (Cinematic Treatments of Imagination in Legendary Movies. The research consists of four chapters. The first chapter represented the methodological framework and included the research problem، which was represented by the following question: What are the cinematic treatments of imagination in the Legends films? Then the researcher dealt with the importance of the research and its aim، which included revealing the cinematic treatments of imagination in the Legends films، and then the limits of the research. As for the second chapter (theoretical framework and previous studies)، it included two topics: imagination، myths، and exchanges of presence. The third chapter (research procedures) included the research platform، which is the
descriptive analytical approach، and the research sample، while the fourth chapter was about the results، conclusions، recommendations، and proposals، and the research concluded with references
References
The Holy Quran
Aljzeera.net How fiction inspires science 2)R.Barthes: La theorie du texte” in Encyl-Universales, p.1014
Abd al-Karim al-Kurdi, The Narrative Structure of the Short Story, p. 13 4)Wadih Bashour, Syrian Mythology, Legends of Aram, (Beirut, Fikr Foundation for Research and Publishing, vol. 1, 1986), p.7
See Drini Khashba, Myths of Love and Beauty in Greece, Part 2, House of General Cultural Affairs (Arabian Horizons), 2nd edition, Baghdad, 1986, pp. 113-120
Ali Zaid Manhal, The Philosophy of TV Drama, Baghdad, Dar Al-Fath for Printing and Publishing, 2021, p. 42.
Roland Barthes, The Legend, by: Hassan Al-Ghurfi, Ministry of Culture and Information, House of General Cultural Affairs, No. 345, 1990, Iraq, pages 48-60-73.
Nizar Oyoun Aswad, Theories of Myth, World of Thought Magazine, Volume 24, Issues (1-2), Kuwait, 1995, p. 24.
Safwat Kamal, Popular Heritage and Child Culture, Cairo, 1995, p. 24
Munir Otaiba, Myths and People's Imagination, Islam website, online,10) Abdel Hamid Younes, Defending Folklore, (Cairo),.
(11)Nidal Al-Saleh, The Legendary Disposal in the Contemporary Arab Novel, Damascus, Arab Writers Union, 2001, p. 11..
Abdel Hamid Younes, Defending Folklore, (Cairo, The Egyptian General Book Organization, 1973, p. 98..
Kamal El-Din Hussein, Folklore in the Modern Egyptian Theatre, The Egyptian Lebanese House, Cairo, 1993, p. 85.
Muwaffaq Abdel-Wahhab, The Dramatic Structure of the Legendary Tale and the Mechanisms of Working in the Cinematic Structure, PhD thesis, unpublished, College of Fine Arts, Baghdad, 2014,p.64.
Muhammad Azzam, The Legend in Contemporary Syrian Poetry, Literary Position Magazine, Arab Writers Union, Damascus, Syria, Issue 273, April, 2002.
Looking at images of the Greek myth in American cinema, prepared by: Al-Zahra bin Zadi, Abdel-Hamid Mohi, master’s thesis, unpublished, Communication Sciences, audiovisual, 2014-2015, pp. 90-98.
Wentley Milt and Geraldides, The Art of the Play, tr.: Sedik Hatab, Dar Al-Thaqafa, Beirut, p. 393..
(John Howard Lawson, Creative Practical Cinema, tr.: Ali Diaa El-Din (Ministry of Culture, House of Public Cultural Affairs), 2002, p. 314.
Looking at the legend in poetry and thought, follow-up, Mohamed Abdel-Rahman, Al-Rai Newspaper, Algeria, Wednesday 9/5/2001, p.15.
Hussain Khumri, Theory of the Text, From the Structure of Meaning to the Semiotics of the Signifier, Al-Ikhtif Publications,i1,2007 p.159.
Aristotle Thales, The Art of Poetry, Narrated by Abu Abi Bishr, Matti Bin Younis Al-Qanaei, investigation and translation: Shukri Bin Ayad, The Egyptian General Book Organization, Cairo, 1992.p99.
Abdel Moaty Shaarawy,The Legend Between Reality and lmage, General Cultural Affairs House,l st edition,p.210.
co/M.Foucault:L ordvedudiscours.p.26.
Taher Abdel Muslim, The Cinematic Discourse from the Word to the Image, General Cultural Affairs House, 1st edition, p. 135.
Maher Majeed Ibrahim, Ethnographic Representations in the Structure of the Narrative Film, Fourteenth Scientific Conference, University of Baghdad, College of Fine Arts, 2015.
Ibrahim Madkour, The Dictionary of Philosophy, The Egyptian Authority for Amiri Press, Cairo, 1979, p. 42.
Ahmed Kamal Zaki, Legends, a Comparative Civilizational Study, (Beirut, Dar Al-Awda, 2nd Edition, 1979), p. 115.
( See Ahmed Kamal Zaki, Studies in Literary Criticism, pp. 337-338.
Weaam Sabri Khaddam, Thematic specialization of the diversity of the structure of the visual form in satellite channels, unpublished doctoral thesis, College of Fine Arts - Baghdad, 2023, p. 26.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Salem S.Ghaban
This work is licensed under a Creative Commons Attribution 4.0 International License.
