قراءة الجمال عبر آراء الفلاسفة واِنعكاسه في التصميم الجرافيكي
DOI:
https://doi.org/10.35560/jcofarts1245الملخص
أن النتاج الإبداعي لفلسفة الجمال في الاعمال الفنية يشكل خطوة نحو التطور والتقدم عن طريق تلبية لحاجات الإنسانية المتنامية والمتغيرة على وفق عوامل متنوعة منها ما يرتبط بالموقف الانساني وآخر ما يرتبط بالمخرجات التقنية فضلاً عن تعدد المجال لظهور تيارات وحركات فنية جديدة تعنى بنتاج الجرافيكي وعمليات الإتصال والتواصل الذي يرتبط بالخيال والتحرر من القيود الاجتماعية والثقافية ويسعى فيها النتاج التصميمي إلى ربط مضامين فكرية أكثر واقعية مع منجزات العمل الفني الابداعي كمنظومة تواصلية لإشراك المتلقي (المشاهد) في تحقيق مسارات التطور في الذائقة الجمالية فهي قراءة لهويته المنجزات وربطها بالشخصية الابداعية عن طريق التوافق الذهني لقبول المنجز الجرافيكي ، بل البحث والتنقيب والاستكشاف لمكامن الجمال واهدافه الفنية بغية أنتقال المتلقي من دور المشاهد أو المستمع الى دور المشارك كقاريء وناقد له فلسفته وخبرته وثقافته التي تحددها ظروفه الاجتماعية والثقافية وتوجهاته الفكرية ولا سيما لتلك المشاركات عبر مواقع التاواصل الاجتماعي التي غزة الفكر عبر الانفتاح والتحرر من جميع القيود ، وعليه فقد أصبح للمتلقي المشاهد دوراً في ابداء الرأي والاعجاب والتحليل والتوصيف تبعاً لمهارات تم أكتسابها تدريجياً مشترطة وغير مشروطة ، تسعى اغلب المؤسسات أن تحقق قراءاتها في جميع الابعاد ومنها البعد الجمالي للوصول إلى أعلى مستوى من تحقيق التلقي والاستيعاب الجمالي للنتاجات بكل تصنيفاتها الجرافيكية والفوتورقمية الثابتة والمتحركة.
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