No. 108 (2023)

					View No. 108 (2023)
Published: 2023-06-15

Articles

  • Visual looting on the covers of international magazines

    Amal Ibrahim Mohsen
    9-20
    DOI: https://doi.org/10.35560/jcofarts108/9-20
  • The effectiveness of the harvesting strategy in the collection of environmental art by the Institute of Fine Arts students

    Ikhlas Abdul Qadir Taher
    21-44
    DOI: https://doi.org/10.35560/jcofarts108/21-44
  • Aesthetic employment of alliteration between the realistic and the fantasy in animated films

    Paymen Kareem kadim , Shurooq Malik Hassan
    45-62
    DOI: https://doi.org/10.35560/jcofarts108/45-62
  • The technical mediator in contemporary Iraqi formation

    Hikmat Saber Hardan, Jawad Abdul-Kadhim Farhan Al-Zaidi
    63-76
    DOI: https://doi.org/10.35560/jcofarts108/63-76
  • Classroom communication in art education lessons between concept and function

    Hawra Saleh Mahdi Hussein, Saleh Ahmed Al-Fahdawi
    77-92
    DOI: https://doi.org/10.35560/jcofarts108/77-92
  • The Impact of Critical Reading on Viewers Understanding and Astatic Judgment at Artworks

    Rihab Abdullah Alghathami
    93-112
    DOI: https://doi.org/10.35560/jcofarts108/93-112
  • fashion and Contrasting in the contemporary Iraqi theater show

    Roaa Hamid Kamil alasadii
    113-128
    DOI: https://doi.org/10.35560/jcofarts108/113-128
  • The mechanisms of the actor's work between performance and directing style in the contemporary theater show (Western) as a model

    Sinan Mohsen Ahmed Al-Azzawi
    129-144
    DOI: https://doi.org/10.35560/jcofarts108/129-144
  • Expressive Topics in Plastic Art Achievement A comparative study between Gustav Klimt and Star Kauusch

    Adel Abd Abtan, Mohammed Al Kinani
    145-160
    DOI: https://doi.org/10.35560/jcofarts108/145-160
  • Effectiveness Silence Select in Iraqis Theatre Actor

    Ali abd al mohsen ali
    161-174
    DOI: https://doi.org/10.35560/jcofarts108/161-174
  • The Written Text in Conceptual Art (An Analytical Study)

    Fadhil Abdul Hakeem Abdul Ridha , Muhammad Ali Alwan Qaragholi
    175-196
    DOI: https://doi.org/10.35560/jcofarts108/175-196
  • Irony in conceptual art (An analytical study )

    karzan Karim Saber
    197-210
    DOI: https://doi.org/10.35560/jcofarts108/197-210
  • Social Graphic Design and its Reflections on The Practices of The Saudi Designer in Designing Awareness Posters

    Lama Abdulrahman Al-Harkan
    211-228
    DOI: https://doi.org/10.35560/jcofarts108/211-228
  • The Cultural Identity in David Gentelman’s Works

    maryam mohammed Gharib, Shaima Kamel Dakhl
    229-246
    DOI: https://doi.org/10.35560/jcofarts108/229-246
  • Functional enhancement and its reflection on industrial product systems

    Meluk Hamdi Heshmat , Lubna Asaad Abdul Razzaq
    247-260
    DOI: https://doi.org/10.35560/jcofarts108/247-260
  • The effect of dramatizing curricula within the social studies subject for the basic education stage on students’ achievement and their attitudes towards theatre

    Mohanad Shaker Mustafa baban, Sardar Mahmoud Saeed
    261-282
    DOI: https://doi.org/10.35560/jcofarts108/261-282
  • Representations of the event in the drawings of the civilizations of the ancient world (selected models)

    Mayada Majid Mansour, Nawras Adnan Shehab
    283-298
    DOI: https://doi.org/10.35560/jcofarts108/283-298
  • A critical reading of the artworks of Saudi artists through the theory of Erwin Panofsky

    Noura Adel Al-Hathloul , Salma Salem Abdel Aziz Al-Zaid
    299-314
    DOI: https://doi.org/10.35560/jcofarts108/299-314
  • The Effect of a Training Program in Introducing Saudi Traditional Fashion in Local Museums

    Wasmiyah AL-AQL
    315-332
    DOI: https://doi.org/10.35560/jcofarts108/315-332
  • External treatments for the space between the institute and the contrast in contemporary theater

    Yasir Qasim Abdul Allah, Suha Taha Salim
    333-348
    DOI: https://doi.org/10.35560/jcofarts108/333-348
  • Fractal and its implications for industrial product design

    Yasmine Tariq Majid, Difaf Ghazi Al-Abadi
    349-366
    DOI: https://doi.org/10.35560/jcofarts108/349-366
  • The Popular Imagination in the Sculpture of Muhammed Ghani Hikmat

    Hamzeh Ali Bani ata , Mahmoud Nayel Taani , Yacoub Hussien Al- Atoom
    367-384
    DOI: https://doi.org/10.35560/jcofarts108/367-384
  • The Najd Arda as a starting point for creativity in Saudi plastic painting

    Maha Mohammed Nasser alsudairy
    385-408
    DOI: https://doi.org/10.35560/jcofarts108/385-408
  • The effectiveness of the mental visualization strategy in developing the artistic expression of fifth grade students in material art education

    Hiba Kamal Muhammad
    409-424
    DOI: https://doi.org/10.35560/jcofarts1142
  • Luxury in jewelry design

    Aya Qutayba Abdul Khaleq, Nawal Mohsen Ali
    425-434
    DOI: https://doi.org/10.35560/jcofarts1132
  • The aesthetics of simplification and complexity in contemporary sculpture according to postmodern concepts

    Wed Dhafer Nama , Hella Abd AlSheead
    435-458
    DOI: https://doi.org/10.35560/jcofarts1171
  • Cyber inevitability and privacy in the design of interior spaces

    azal Muhammad Saeed, Rajaa Saadi Lafta
    459-484
    DOI: https://doi.org/10.35560/jcofarts1112
  • The directive aesthetics of employing the actor's body in the theatrical performance

    Muhammad Zughair Luan, Farhan Imran Musa
    485-500
    DOI: https://doi.org/10.35560/jcofarts1177