Visual stimulus in the design of interior spaces
DOI:
https://doi.org/10.35560/jcofarts104/55-72Keywords:
exciting, visual, design, space, interior, elements, offices, formation, privacy, characteristics, level, determinants, movement, rhythmAbstract
The visual stimulus is the effective force in visual attraction that achieves visual and perceptual co-optation and is important in wooing the recipient, and many procedural processes in the design are interpreted on it as the visual stimulus achieves visual comfort and a sense of pleasure and gives (place) the interior space a transformation in its plastic structure as well as arousing attention through The kinetic rhythm and the formal diversity, which increases the possibility of breaking the routine and traditional constraints of design patterns through the coating and encapsulation of the vertical and horizontal levels . Thus, the research problem was launched based on the following question: What are the stimuli of the visual stimulus in the designs of the internal space of the communications company (Zain Iraq)? In order to achieve the goal of the current research represented by revealing the visual stimulus in the designs of the internal space of the telecom company Zain Iraq. In order to cover the contents of the research and its variables, the research structure is distributed into three chapters. The first set out to clarify the introductory framework for the research, while the second reviewed the theoretical framework and the reality of two chapters, namely:
1. The visual stimulus as a concept in interior design.
2. The relationship of the visual stimulus in the design of the interior space.
The third chapter deals with the research procedures, results and conclusions, including
References
Abadullah, I. H. (2008). Art of Design / part 2. al-Sharja: House of Culture and Information.
al-Azzawi, H. R. (2004). Attraction in the structure of Magazine covers designs. Baghdad: College of Fine Arts , Baghdad University.
al-Bassiouni, M. (1980). The secrets of Plastic art. The world of Books. Cairo.
al-Bazzaz, A. (1999). Relationships space design and space relationships. Baghdad: al-Fath Library for printing and publication.
al-Dabbagh, S. M. (2010). Architecture with multiple sensory responses. Baghdad: Architectural Engineering , University of Technology.
al-Hakeem, R. (1986). Philosophy of Art in Susan Langer. Baghdad: Cultural Affairs House.
Al-Imam, A. A.-D. (2006). Movement Behaviors in the Internal space - Environment”,. Baghdad: Academic Magazine, No. 45.
al-Khalidi, W. H. (2008). The visual and sensual awareness for the internal space in hospitals of children -Thesis - Unpublished. Baghdad: College of Engineering , Technology Unkiversity.
al-Khuli, W. (1976). Summarized enccyclopedia in Psychology and Mind Medicine. Cairo: Dar al-Maarif.
al-Makri, M. (1991). Form and discourse. Beirut: Arabic Cultural Center.
Ammar, M. (2014). , () “The Forml Organization and its Role in Showing the Aesthetic Values of the Publication”. BA: Academic Journal, Issue 70.
Atheer, z. I. (2022). New site for Telecomunication company , zain Iraq. Baghdad: https://www.youtube.com/watch?v=YyfFKbBa2GY.
Berjawi, A. R. (1981). Chapters in Aesthetic Sciences. Beirut: Dar al-Afaq al-Jaded.
Crochet, B. (1994). The whole in philosophy of Art. Damascus: al-Awabid For printing and publishing.
Eid, K. (1987). Philosophy of Literature and art. Tunisia: Arabic Dar for Books.
Haider, n. A. (1996). Analysis and composition in the contemporary Iraqi Painting. Baghdad: College of Fine Arts , Baghdad University.
Hanash, A. M. (1990). Arabic Calligraphy and the problem of art criticism. Baghdad: al-Umraa Office for publishing , propoganda , and advertising.
Ibrahim, R. (1997). Psychological vision of Art. Baghdad: Cultural Affairs House.
Iraq, z. (2022). New site for Telecommunkication company . Baghdad : https://ar.wikipedia.org/wiki/%D8%B2%D9%8A%D9%86_%D8%A7%D9%84%D8%B9%D8%B1%D8%A7%D9%82.
Iraq, Z. (2022). الموقع الجديد لشركة الاتصالات. بغداد: https://ar.wikipedia.org/wiki/%D8%B2%D9%8A%D9%86_%D8%A7%D9%84%D8%B9%D8%B1%D8%A7%D9%82.
Jameel, S. (1995). The Philosophical Dictionary in Arabic , French , English and Latin words , part2. Beirut: Lebanese Book House.
Khazal, F. H. (2009). Exoticism and its aesthetic levels in Internal Designs. Baghdad: College of Fine Arts , Baghdad University.
Mahdi, T. (1987). Plato , a study of his aesthetic thought. Baghdad: General cultural affairs House.
Naam, Z. A. (2008). The elements of attraction in the Urban Landscape and mechanisim , Master Thesis Unpublished. Baghdad: Architectural Engineering , Baghdad University.
Riyadh, A. F. (1987). Formations in the fine arts. Cairo: Dar al-Nahdha for Arts.
Riyadh, H. (2014). Processing the Designs of Interior Spaces for Pharmacies,” . Academic Magazine, No. 70.
Rogers, F. (1990). Poetry and Painting. Baghdad: Dar al-Mamoun for translation and publishing.
Sahib, J. (2014). Metaphor and its Transformations in Surrealist Painting,” . Baghdad: Al-Akameyy Magazine, No. 70.
Saleh, Q. H. (1982). Psychology of color and shape perception. Baghdad: al-Rasheed House for Publication.
Shaima, S. (2014). The Mechanisms of Visual Attraction in Interior Spaces” . Baghdad: Al-Academic Magazine, No. 70.
Stolnitz, J. (1984). Art Criticism , an aesthetic and philosophical study. Cairo: Ain Shams University Press.
Tityanov, Y. (1982). Theory of Form approach , Russian texts , translated by Ibrahim al-Khateeb. Beirut: Foundation of Arabic Researches.
اثير, ز. ا. (2022). الموقع الجديد لشركة الاتصالات زين العراق. بغداد: https://www.youtube.com/watch?v=YyfFKbBa2GY
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Shaimaa Sami Ahmed
This work is licensed under a Creative Commons Attribution 4.0 International License.
