Aesthetic and expressive characteristics in the works of Jean Dubuffet

Authors

  • Raed Hassan Mikhilif Ministry of Culture
  • sahib Jassim Hassan Al Bayati College of Fine Arts / University of Baghdad

DOI:

https://doi.org/10.35560/jcofarts1162

Keywords:

Aesthetics, Expressionism

Abstract

The research presented the tagged (aesthetic and expressive characteristics in the works of Jean Dubuffet), so the research objective was: to know the aesthetic and expressive characteristics in the works of (Jean Dubuffet), and the research included four chapters. The aim of the research, the limits of the research, and the definition of terms. The second chapter included four topics. The first topic presented the aesthetic essence and style, while the second topic dealt with expressionism: approaches in concept and meaning.
While the third topic was preoccupied with presenting the aesthetic and expressiveness in the drawings of modernity and beyond, while the fourth topic dealt with: Jean Dubuffet and the experience of raw art. The third chapter was devoted to research procedures. In order to achieve the aim of the research, a number of results were reached in the fourth chapter, including:
1- The aesthetic and expressive characteristics were manifested in all samples of the sample, including: instinct / emotion / mood / violence / madness / vulgarity / ugliness / distortion / rebellion / audacity / research, experimentation and innovation.

2- The value of his works and his artistic experience was embodied through his interest and fondness for raw art derived from the products of children, insane, and prisoners. He considered primitive and popular art as a source of aesthetic value for him at the expense of all aesthetic and philosophical concepts, as shown in Model (1 and 3).

References

Abbas, r. A. (n.d.). Aesthetic Values.

Aflatoun. (1948). Al-Jumhuriya (2nd ed.). (S. H. Khabbaz, Trans.) Al-Motakaba Al-Asriyya.

Al-Ashmawy, M. Z. (n.d.). The Philosophy of Beauty in Contemporary Thought.

Al-Jadeed, A.-S. (2019, December 25). The Revolution Against Artistic Traditions and Its Restrictions. Al-Sabah Al-Jadeed.

Al-Qarah Ghuli, M. A. (2011). History of Modern Art. Baghdad: Al-Dar Al-Arabiya.

Asi, M. (1974). Concepts of Aestheticism and Criticism in the Literature of Al-Jahiz (Vol. 1st Edition). Beirut: Dar Al-Ilm for Millions.

DUBUFFET, J. (1951). ANTICULTURAL POSITIONS.

González, F. (2013). Le Musée Guggenheim Bilbao، L’art en guerre France, 1938–1947: de Picasso à Dubuffet.

Haftmann, W. (n.d.). German art of the twentieth century.

Haider, N. (n.d.). Aesthetics.

Hamid, S. A. (n.d.). Aesthetic Preference.

Hassiba, M. (2009). The Philosophical Lexicon (1st edition ed.). Jordan: Osama House for Publishing and Distribution.

Hopkino, D. (n.d.). Dada and Surrealism.

Huisman, D. (2015). Aesthetics (Aesthetics). (A. H. Matar, Trans.) Cairo: The National Center for Translation.

Husserl, E. (2007). The Idea of Phenomenology (1st ed.). (F. Anqzo, Trans.) Beirut, Lebanon: The Arab Organization for Translation.

Imhaz, M. (n.d.). Contemporary Fine Art.

Journal of Theatre and Performing Arts. (n.d.). 14.

Karam, Y. (n.d.).

Khallaf, J. (2000). Conscience in the Philosophy of Suzanne Langer. Cairo: The General Authority for Cultural Palaces.

Knox, a. .. (1985). Aesthetic Theories (1st ed.). (M. D. Chia, Trans.) Beirut,Lebanon: Bahsoun Cultural Publications.

Manzoor, I. (1955). Lisan Al-Arab (Vol. Four). Beirut: Dar Lisan Al-Arab.

Manzoor, I. (1966). Lisan Al-Arab, (Vol. Part 3). Cairo: The Egyptian Institution for Authoring and Publishing.

Mostafa, S. (1969). The Psychological Foundations of Artistic Creativity in Poetry in particular (3rd ed.). Cairo: Dar al-Maarif in Egypt.

Muhammad, A.-S. I. (2010). The Meaning of Beauty (1st ed.). Jordan: Dillr Al-Mamoun Publishing.

Muhammad, R. B. (2015). (Esthetics) Aesthetics. (A. H. Al-Ahwany, Trans.) Cairo: The National Center for Translation.

MÜNTER, G. (n.d.). GRÜNDUNGSMITGLIED DES BLAUEN. (L. EDDELBÜTTEL, Trans.)

Naguib, M. Z. (1963). Philosophy and Art. Cairo: The Anglo-Egyptian Bookshop.

Ovnsianikov, Z. S. (1979). Brief History of Aesthetic Theories. (B. Al-Sakka, Trans.) Beirut: Dar Al-Farabi.

Rene, H. (1978). Art is Interpreted by its Way (Vol. 1). (S. Barmada, Trans.) Damascus: Ministry of Culture and National Guidance.

Saliba, J. (1973). The Philosophical Lexicon (Part 1 ed.). Beirut: The Lebanese Book House.

Sidqi, I. (2011). Reflections on Art for My Global Art (1st ed.). Damascus: Syrian General Book Authority.

Smith, E. L. (n.d.). Art Movements After World War II.

theartstory. (n.d.). Retrieved from www.theartstory.org

Yahya, M. (1993). Plastic Values Before and After Expressionism (1st ed.). Cairo: Dar Al-Maarif.

Downloads

Published

2023-12-15

Issue

Section

Articles

How to Cite

Aesthetic and expressive characteristics in the works of Jean Dubuffet. (2023). Al-Academy , 110, 91-108. https://doi.org/10.35560/jcofarts1162

Publication Dates

Most read articles by the same author(s)