تحليل البناء الهارموني في المؤلفات الموسيقية للفنان خليل أسماعيل
DOI:
https://doi.org/10.35560/jcofarts107/317-330الكلمات المفتاحية:
مؤلف موسيقي، الهارموني، التأليف الموسيقيالملخص
اهتم الباحث بدراسة جانب مهم في ثقافة الموسيقى العالمية المنهجية، اذ سلط الضوء على تحليل البناء الهارموني في المؤلفات الموسيقية للفنان خليل أسماعيل، حيث يعد الهارموني من العلوم الموسيقية الغربية المهمة، وهو ركنن أساس في بناء الموسيقى الالية والغنائية، ويعتمد على تراكيب الأصوات العمودية التي تؤدى في ان واحد إذ تتوافق النغمات معًا وتتنافر أحيانًا بهدف اضفاء رنين صوتي يثري العمل الموسيقي ويجذب المتلقّي اليها، ومن هنا تشكلت لدى الباحث تساؤلات عديدة منها .. هل بالإمكان تحديد أسلوب تأليف اعمال الفنان خليل اسماعيل في إطار بحثي موضوعي، وهل هناك دراسة تناولت هذا الموضوع بشيء من التفصيل.. الأمر الذي دعا الباحث إلى البحث عما يجيب له تساؤلاته، غير أنه لم يعثر على دراسة سابقة في هذا المجال. لذا فقد تبلورت لدى الباحث القناعة بأن هناك حاجة ماسة لكتابة هذا البحث ودراسة الجزء المهم من بنائه الهارموني.
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