ميتافيزيقا الأداء المسرحي" مسرحية كلكامش أنموذجاً "
DOI:
https://doi.org/10.35560/jcofarts1235الكلمات المفتاحية:
المؤدي، الطاقة الادائية المقدسة، اللاوعي الجمعيالملخص
يغوص البحث من خلال مباحثه الثلاثة للتفتيش عن اللاوعي واللاوعي الجمعي بهدف التعرف على المحفزات والبواعث الادائية ودافعيتها لإنتاج أداء يتوافق مع ميتافيزيقة الاسطورة او الملحمة وشخصياتها المختلفة عن الشخصيات الانسانية الأخرى ويكشف البحث في مبحثه الثاني عن نوع من الطاقة الادائية المقدسة وبتحفيز من الخيال واشغال للاوعي الجمعي يتناغم مع ماورائية النص الاسطوري وشخصياته واحداثه الملحمية.
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