The deliberative dimension of the visual sign in the contemporary Iraqi poster
DOI:
https://doi.org/10.35560/jcofarts106/363-384Abstract
The current research dealt with (the deliberative dimension of the visual sign in the contemporary Iraqi poster) in an attempt to identify the importance of the contemporary poster and the role of the international dimension of the visual sign of exceptional importance.
What is the international dimension of the visual mark?
- What is the effect of the visual label on the contemporary Iraqi poster?
The current research aims to identify the pragmatic dimension in the contemporary Iraqi poster.
Across the temporal and spatial research boundaries of the year (2000-2020) in Iraq. The limits of the objective research The limits of this study on the pragmatics in the visual sign and the determination of the relationship between them and its dimensions in the Iraqi poster.
As for the second chapter, the theoretical framework and previous studies, the research included two topics:
- The first topic (approaches of the deliberative dimension in the visual sign).
The second topic (the aesthetics of the contemporary poster).
As for the third chapter represented by the research procedures, the researcher followed the descriptive approach in the style of content analysis to achieve the objectives of the research. The research community included a group of contemporary posters obtained by the researcher through the Internet. The current research community reached 12 models. The research sample was intentionally selected according to a set of justifications. The research sample consisted of 5 models
As for the fourth chapter, it included the results of the research that the researcher reached through her analysis of the research sample models, the most important of which are:
1- The artworks presented a pragmatic dimension of the visual sign in various cases and methods of presentation as in all models.
2- The visual sign appears in a symbolic design style in order to achieve its deliberative purpose, as in all models.
As for the conclusions:
The diversity of showing the structure of the international dimension of the visual sign in1- contemporary times.
The design structure contained the international dimension of the visual mark in contemporary times2- and a function with a marketing purpose
The researcher recommended:
The researcher recommends encouraging graduate students to investigate the functional concepts of the visual sign and its effective role in society and in contemporary Iraqi painting.
The researcher suggested conducting a complementary study to her current research: The Visual Sign and its Deliberative Dimension in the Contemporary World.
The research concluded with sources and appendices
References
Ahmad, Muhammad Shehab: Architecture, Rules and Methods of Building Evaluation, 2nd floor, Majdalawi House for Publishing and Distribution, Amman - Jordan, 2008.
Blachet, Philip: Pragmatics from Austin to Grafman, 1st Edition, translated by: Saber Al-Habasha, Dar Al-Hiwar for Publishing and Distribution, Syria, 2007.
Bou Jadi, Khalifa, in Pragmatic Linguistics with a Rooting Attempt in the Old Arabic Lesson, House of Wisdom, Algeria, Edition 1, 2009.
Gad Al-Karim, Abdullah, Deliberativeness in Development Studies, Dar Al-Adab, Cairo, 2014. .
Al-Jerjani, Ali bin Muhammad: The Book of Definitions, House of Revival of Arab Heritage, Beirut, 2003.
George Paul, Pragmatics, translated by: Qusai Al-Atabi, Arab House for Science, 1st Edition, Beirut 2010.
Johnson, R. F: Al-Gamaliya, see: Abdul Wahid Lulua, Publications of the Ministry of Culture and Arts, Freedom House for Printing, Baghdad, 1978.
Jerome, Bayrom: The Science of Sign (Simology), T: Munther Ayachi, Tlass House for Studies, Translation and Publishing, Syria, 1992.
Al-Hamdani, Fayez Yaqoub: Color is Civilization, 1st Edition, General Cultural Affairs House for printing, Baghdad, 2007.
Daskal, Marcello: Contemporary Semiological Trends, Semiotic Research Series, T: Hamid Al-Hamdani et al., Casablanca, 1987.
Al-Douri, Suhad Abdul-Jabbar: The relationship of space and time and their impact on two-dimensional design, 1999.
Rosenthal, M. and b. Youdin and others (: The Philosophical Encyclopedia, 2nd Edition, T: Samir Karam, Dar Al-Tali’a, Beirut, 1980).
Al-Salami, Ali: Media Department, Dar Al-Maaref, Cairo, 1969.
- Smith, Edward, et al: Postmodern Art, Small Encyclopedia Series No. 234, Wesian University Press, 1991.
Shalak, Ali: Art and Beauty, University Foundation for Studies, Publishing and Distribution, Cairo, 1982.
Saliba, Jamil: The Philosophical Dictionary, Part 1, Lebanese Book House, Beirut, 1982.
Abdel Hamid, Shaker, Visual Arts and the Genius of Perception, Ain Publishing House, Cairo 2007.
Abdel Rahman, Taha: On the Origins of Dialogue and the Renewal of Theology, 2nd Edition, The Arab Cultural Center, Beirut, 2000.
Abdul Qadir, Hamad Ahmed: The Role of Media in Development, Dar Al-Rasheed, Ministry of Culture and Information, Baghdad. 1982 .
Abbou, Faraj: The Science of the Elements of Art, Volume 2, Delphine Publishing House, Milan, Italy, 2, 198.
- Al-Azzawi, Dia: The Art of Posters in Iraq, A Study of its Beginning and Development, Ministry of Culture and Information, Al-Adeeb Press, 1974.
- Al-Azzawi, Dia: The Art of Posters in Iraq, A Study in Its Beginning and Development, Ministry of Information, Al-Adeeb Press, Baghdad, 1974.
- Fisher, Ernst: The Necessity of Art, T: Saad Halim, The Egyptian General Authority for Authoring and Publishing, Egypt, 1971.
Laland, Andre: Laland Philosophical Encyclopedia (1-2-3), see: Khalil Ahmed Khalil, Oweidat Publications, Beirut, Paris, 1996.
Magazines and periodicals.
- Bengrad, Said: Peirce's Semiotics, in Signs magazine, No. (1), Casablanca 1994.
Letters and Letters
Ismail, Ismail Shawky: Art and Design, Faculty of Art Education, Helwan University, Omrania Offset Press, Egypt, 1999.
Barbar, Issa: The deliberative dimension in the communicative process, the poetry of Prince Abdul Qadir Al-Jazaery - a model, an unpublished doctoral thesis, Faculty of Arts and Arts, Ahmed Ben Bella University, Oran 1, Algeria, 2016.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Nawras Uday Ali Al-Quraishi, Qassem Khudair Abbas
This work is licensed under a Creative Commons Attribution 4.0 International License.
