External treatments for the space between the institute and the contrast in contemporary theater

Authors

  • Yasir Qasim Abdul Allah College of Fine Arts / University of Baghdad
  • Suha Taha Salim College of Fine Arts / University of Baghdad

DOI:

https://doi.org/10.35560/jcofarts108/333-348

Keywords:

space, imitation, contrast

Abstract

Theater is a renewed art until this moment, and it does not stray from its components from life and its spaces in general, but rather is derived from them according to characteristics and directions intended to differ based on finding other, more effective solutions, Therefore, the research entitled (Extractive treatments of the space between tradition and contrast in contemporary theater) consists of four chapters. The first chapter came under the title (the methodological framework). Where he dealt with the research problem and then the importance of the research and the goal of the research as well as the objective, temporal and spatial limits of the research, In addition to defining the terminology and then finding the procedural term that the researcher deduced through his reading of the sources, references and opinions he reached. As for the second chapter, entitled (Theoretical Framework), the researcher divided this chapter into the following sections:

The first topic: the concept of space in theatrical performance.

The second topic: Tradition and contrast in contemporary theatrical performance.

Then the previous studies and the results of the theoretical framework of indicators to conclude that chapter. As for the third chapter, entitled (Research Procedures), the researcher dealt with: the research community - the research sample - the research method - the research tools - the sample analysis entitled (women's playing). With regard to the fourth chapter, which is entitled (Conclusions and Conclusions), the researcher reached the results and then identified the conclusions he reached, and then put forward the proposals and recommendations, then a list of sources and references

References

Muhammad Abd al-Rahman and Riyadh Shahid Al-Jubouri. (8, 2009). Scenographic space and the dialectic of aesthetic distance. Babylon: College of Education. University of Babylon، 1.

Abdel Hamid, S. (2007). Theatrical innovations in the twentieth century. Baghdad: Al-Fath Library.

Abdul Hamid , S. (1995). Treating the plot in radio dram. Baghdad: Al-Akamey Magazine.

Ahmed, K. A.-N. ( 1990). Concepts in Philosophy and Sociology. Baghdad: House of Cultural Affairs.

Al-Tikmaji, H. (2011). directing theories. Baghdad: House of Books and Documents.

Ann, O. (1994). School of the Spectator Reading Theater (Vol. 2). (H. Ibrahim, Trans.) Cairo: Publications of the Ministry of Culture, Cairo International Festival for Experimental Theatre.

Ann, U. (1997). Reading of the theater (Vol. 1). (M. Al-Telmisani, Trans.) cairo: Cairo Festival, Experimental Theater.

Ardash, S. (1979). director in contemporary theatre. Kuwait: the world of knowledge series.

Arik Bentley. (1993). Modern Theatre. (Muhammad Aziz Refaat، المترجمون) cairo: Egyptian Culture House for Publishing and Books.

Bassam , B. (1985). Dictionary of Linguistics . Beirut: Gross Peres Publications.

Beautiful, c. (Beirut). Philosophical Dictionary. 1982: The Lebanese Book House.

Edwin , W. (n.d.). Theatrical experience. Cairo : Ministry of Culture, International Festival of Experimental Theater.

Faraj , A. (1989). The Elements of Art book. Baghdad: Academy of Fine Arts.

Ger, A. (2003). Narrative Dictionary. (S. Imam, Trans.) Cairo: Mernet for Publishing and Information.

Hantoush, M. (2008). The Islamic Philosophy of Beauty and its Approach to the Scenography of the Iraqi Theatrical Show. Babylon: Issued by the College of Fine Arts. University of Babylon.

Huating, F. M. (1970). Introduction to theatrical arts. Cairo: House of Knowledge, Al-Ahram Commercial Printing Press.

Hussein, R. H. (2019). Incitement in theater discourse. Baghdad: Al-Habib Library .

Husseini, H. K. (2015). Imitation and Simulation in Calligraphic Achievements - Decorative. Journal of the College of Basic Education, 21.

Jaff, F. e. (2020). Directing and scenography in contemporary theater. the limits of the relationship and its challenges. Proceedings of the intellectual forum accompanying the 29th session of the Sharjah Theater Days. Sharjah: Department of Culture, Government of Sharjah .

Janzi , H. T. (n.d.). Aesthetics of Space Systems-Applications in Iraqi Painting. amascus: Nineveh House for Printing Publishing and Distribution.

Mary, E. (1997). Theatrical Dictionary (Vol. 1). Beirut: Publishers Library.

Mary, E. (1997). Theatrical Dictionary. Beirut: Library of Lebanon.

Prunella , A. (2001). Theater and the Visual Image. (S. El-Gamal, Trans.) Cairo: Cairo Experimental Theater Festival.

Wesvold, M. (1979). in theatrical art. (S. Shaker, Trans.) Beirut: Dar Al-Farabi.

whiting, F. M. (1961). Introduction to theatrical arts. (K. Youssef, Trans.) Cairo.

Downloads

Published

2023-06-14

Issue

Section

Articles

How to Cite

External treatments for the space between the institute and the contrast in contemporary theater. (2023). Al-Academy , 108, 333-348. https://doi.org/10.35560/jcofarts108/333-348

Publication Dates