Communication and openness of performance contexts in postmodern formation
DOI:
https://doi.org/10.35560/jcofarts1727Keywords:
The concept of communication/performanceAbstract
The current research dealt with (Communication and Openness of Performance Contexts in Postmodern Formation). The research included four chapters. The first chapter dealt with the methodological framework of the research represented by the research problem, which was determined by answering the following questions:
- What is the concept of communication in postmodern formation?
- What are the performance contexts in postmodern formation?
As for the research boundaries, they were determined as follows:
1- Spatial boundaries: America.
2- Temporal boundaries: 1952-2001
As for the second chapter (the theoretical framework of the research), it dealt with the following topics:
The first topic: The concept of communication and performance contexts in modern drawing. As for the second topic, it dealt with: Communication and performance contexts in postmodern formation.
The third chapter was concerned with analyzing the research sample, which amounted to (3) models of postmodern formation.
The fourth chapter was determined by the results and conclusions of the research. The results include:
1- Communication was based on the principle of spontaneity and continuity in addition, construction and deletion, as these continuous moments or continuous time with the artwork have a special space-time that cannot be repeated.
2- Communication was achieved through the psychological dimensions of the self in the midst of a state of alienation and disintegration, as the performances display the human body (the artist) and the animal, through a fabric of color and tactile harmonies, as the body is in a dynamic and active state continuously.
References
Al Wadi, A. S., & Al-Husseini, A. A. (n.d.). Environmental Expression in Postmodern Art.
al-Ghaban, a. Q., & others. (n.d.). Media and the Art of Design. 2017: Dar Al-Fath for Printing and Publishing, Baghdad.
Al-Munjid fi al-Lugha wa al-Ilam (3 ed.). (1988). Dar al-Mashreq Publications, Beirut.
Al-Razi, M. i.-B.-Q. (n.d.). Mukhtar al-Sihah. Arab Center for Culture and Science, Beirut, Lebanon.
Al-Zuhairi, A. K. (n.d.). Concepts and Critical Visions in Plastic Discourse.
Amhaz, M. (1981). Contemporary Plastic Art. Dar Al-Muthallath, Beirut, Lebanon.
Amir, H. H., & Muslim, G. H. (n.d.). Technology and Communication in Contemporary Art. Arab Conference Network, University of Babylon, College of FineArts. Retrieved from http://arab.kmshare.ne
Goodman, E., & Man, J. d. (2001). The Guide to Politics and Performance. (M. L. Noufal, & D. A. Al-Rabat, Trans.) Languages and Translation Center, Academy of Fine Arts, Cairo International Festival for Experimental Theater, Cairo.
Inglis, D., & Hughson, J. (2007). Sociology of Art, A Path to Vision. (M. Al-Jawhari, Trans.) World of Knowledge, Kuwait.
J.E., M., & Egger, F. (n.d.). One Hundred Years of Modern Painting.
Jaber, J. A., & Kafafi, A. E.-D. (1993). preparing the Dictionary of Psychology ,quoted from Farid Alwan (Performance in the Visual Field) (6 ed.). Cairo, Dar Al-Nahda Al-Arabiya.
Karim, G. A. (n.d.). Al-Manhal al-Tarbawi, Alam al-Tarbawi (1 ed.). 2006: Dar al-Bayda.
Manzur, I. (n.d.). Lisan al-Arab (Vol. 11). Beirut, Dar Ihya al-Turath al-Arabi for Printing, Publishing and Distribution.
Muhammad, B. (2020). al-Fan wa al-Ghamama (1 ed.). Intellectual Studies Series (University of Kufa), Dar al-Rafidain, Beirut, Lebanon.
Omar, A. M. (2008). Dictionary of Contemporary Arabic (1 ed., Vol. 1). Cairo, Alam Al-Kutub for Printing.
Phoebe, A., & Fahmy, S. (n.d.). The Aesthetic Values of Postmodern Arts and Their Impact on Societal Thought.
Reed, H. (1986). Present Art (2 ed.). (S. Ali, Trans.) Baghdad, Iraq: Dar Al-Shu'un Al-Thaqafiyah Al-Amma.
Sabila, M. (2025). Modernity and Postmodernity. Center for Studies in the Philosophy of Religion.
Smith, E. L. (1995). Contemporary Art Movements after World War II. (F. Khalil, Trans.) Baghdad: Dar Al-Shu'un Al-Thaqafiyah.
Wilson, G. (2000). Psychology of Performance Arts. (M. Anani, Ed., & S. A. Hanid, Trans.) Kuwait, Alam Al-Ma'rifah.
Abd, S. M., & Hassan, S. J. (2021). Style between alienation and westernization in contemporary painting: Salama Mahmoud Abdel-Saheb Jassim Hassan. Al-Academy, (100), 647-666.
Hassan, S. J. (2015). Compound Shapes in the work of the artist Max Ernst and Ali Najjar: Saheb Jassim Hassan. Al-Academy, (72), 19-38.
Hassan, S. J. (2018). The stylistic change in Kandinsky and Mondrian paintings. Al-Academy, (88), 5-24.
Al Bayati, S. J. H., & Rashid, S. S. (2022). The image of the soldier in contemporary Iraqi painting. Al-Academy, (106), 187-204.
Hassan, S. J. (2017). The Constructive Mutation of installation Systems in the works of the artist Ali Al-Najar ِArt. Al-Academy, (83), 33-50
