الصيرورة وتكاملية الفلم في سينما ما بعد الحداثة

المؤلفون

  • بان جبار خلف كلية الفنون الجميلة / جامعة بغداد
  • اسيا جبار خلف جامعة السليمانية -كلية الفنون الجميلة -قسم الفنون السينمائية

DOI:

https://doi.org/10.35560/jcofarts107/65-76

الكلمات المفتاحية:

الصيرورة تكاملية، الفلم ،ما بعد الحداثة

الملخص

 يتلخص موضوع البحث الموسوم (الصيرورة وتكاملية الفلم في سينما ما بعد الحداثة) بدراسة تحولات الفلم وتكامليته في ظل انبثاق مهوم ما بعد الحداثة، وقد تناول تحديد مشكلة البحث المتمثلة التساؤل التالي: كيف يخرج الفلم ما بعد الحداثي من تكاملية الفلم الى العرض والفعل المجزأ؟ ثم الحاجة اليه وكذلك اهداف البحث وتوضيح حدوده فضلا عن أهميته. ثم الانتقال الى الإطار النظري والذي تضمن مبحثين، كان المبحث الاول بعنوان: سينما ما بعد الحداثة التشكل والاكتمال، اما المبحث الثاني فقد حمل عنوان: المفارقة في الفلم ما بعد الحداثوي.
وبعد الانتهاء من الجانب التنظيري خلص البحث الى جملة من مؤشرات الإطار النظري التي اعتمدت كاداة لتحليل العينة، ثم جاءت اجراءات البحث والمتمثلة في تحليل عينه البحث وهي فلم ( قصص نيويورك) للمخرج: مارتن سكوريزي للخروج بنتائج التحليل ومن ثم الاستنتاجات والتوصيات ثم جاءت قائمه المصادر والهوامش.

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التنزيلات

منشور

2023-03-15

إصدار

القسم

Articles

كيفية الاقتباس

الصيرورة وتكاملية الفلم في سينما ما بعد الحداثة. (2023). الاكاديمي, 107, 65-76. https://doi.org/10.35560/jcofarts107/65-76

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