Experimentation in the works of the artist Muhammad Al-Kinani" an anaylytical study"
DOI:
https://doi.org/10.35560/jcofarts103/225-240Keywords:
experimentation, Muhammad Al-KinaniAbstract
The problem of the tagged research (experimentation in the works of the artist Muhammad al-Kinani is an analytical study) dealt with the nature of the concept of experimentation and its work in the works of Muhammad al-Kinani. Which adopts the removal of the concept of style and artistic style and takes the experience away from the pattern of repetition The importance of the research comes through the identification of the materials founding the artistic work. The current research benefits the specialists in the field of arts from the students of studies with a new and renewed formulation of creativity. The research objectives shed light on the contemporary experiences of the artist Muhammad Al-Kinani and its importance in benefiting researchers and the specialized library, and the limits of the research were limited to Objective limits and temporal limits from 2006-2017 and spatial limits. As for the second chapter, represented by the theoretical framework, it contained three sections. The first topic dealt with the meaning of experimentation, the second topic was experimentation in the visual field, and the third topic dealt with experimentation in the works of the artist Muhammad Al-Kinani. The third chapter included the research procedures represented by the research community and the sample, which numbered (3) artistic works, then the research tools, the research method and the analysis of samples. As for the fourth chapter, it included the results and conclusions of the research, and the research reached a number of them.
1- The artist’s interest in collage and pasting gypsum materials, cardboard and pastes.
2- Re-formulation of the legacy in a new way, distinct and effective.
As for the conclusions:
1- The social, psychological and cultural conferences had a clear role in his experimental work.
2- The artist was able to reflect his emotions through psychological and mythological values to produce the artwork.
3- Opening up to the outside world and benefiting from the experiences of others.
As well as recommendations, suggestions and a list of sources
References
Abdulameer, A. (2004). Iraqi Painting: Moderinity of Conditioning (Vol. 1st ed.). Iraq: House of Public Cultural Affairs.
Ahmed, I. (2006). The Problematic of Existence and Technology for Master Heidegger. Algeria: Arab House of Science publeshing.
Al_Bidiri, A. (1999). The Transformer in Contemporary Iraqi Art. College of Fine Arts. University of Baghdad.
Al_Kinani, A. (2014). The Experimental Transformation in Contemprory Formation in Iraq: A study of Post-war Experiences 2003-2013, Analytical study. college of Fine Arts. University of Baghdad.
Al-Bustani, B. (1979). Mohet Almohet: A developer to Arabic language. Beirut: Library of Lebanon.
Al-Fadili, M. (2011). The Technical Variable in Contemporary Formation Methods. College of Fine Arts. Baghdad: University of Baghdad.
Al-Janabi, S. (n.d.). wikipedia. Retrieved from ar.Wikipedia.org: http://www.wikipedia.com
Al-Kinani, H. A.-H. (2020). The will of Painting and Scalpture. Al-Yusur press.
Al-Kinani, M. (2014). The Plastic Artist Muhammad Alkinani I am trying to make the Sumarians in my Paintings. Al-Bayan, 37. Retrieved from http://www.culture-albayan.ae
Al-Muharij, A. (n.d.). Retrieved from Al-mothaqqf: http://almothaqqf.com
Aziz, M. (1978). Creativity in Aesthetics. cairo: Al- Maaref.
Badri, A. (n.d.). The Structure of Expermentation in the Contemprary Iraqi Pomes as a Model in the Sixties, The Poet Saadi Yosif. Retrieved from www.wikipedia.com: http://www.abdeasadk.taclty.mu.edu.sa
Balqus, Z. (2015). Mechanisms of Expermentaltion and Aesthetics in the Novel of Holy Love by Izz-Eldin Jalloushi. Diyala Magazin.
Bint-Aisha, L. (2002). The expermantation in Said Hafid's Theater. Constantine: University of Mantora.
Fouad, S. (n.d.). Mouhammad Al-Kinani: The Self-containment of his speech. Retrieved from http://www.elsadd.net
Freichenko, M. (1983). Creativity and Human Reality. (S. Yousif, Trans.) Damascus: Ministry of Culture.
Hafez, G. (1975, 4). Notes from Experimentation in Theatre. Fosoul Magazin, p. 27.
Ibn-Manzur, M. (2005). Lisan Al-Arab. Beirut: Sader for printing and puplishing.
Ibrahim, Z. (1980). The Problem of Art. Cairo: Library of Egypt.
Kantraj, H. (2017). The Technological Impact on Contemporary plastic Art in Algeria: Enviornmental Art as a Model. Algeria: Abo-Bakr Belkaid University.
Red, H. (1975). Art and Soceity (Vol. 1st). (F. Steri, Trans.) Beirut: Al-Qalam.
Stolntez, J. (2017). Art Criticism. (F. Zakaria, Trans.) Alexandria: Al-Waqar.
Tawfiq, S. (1992). Aesthetic Experience: University Foundation for Studies (Vol. 1st ed.).
Tobler, N. (1978). Diologe of Vision. Baghdad: Al-Mamoun.
www.baheth.Alearbiu,com. (n.d.). Retrieved from Al-Bahith Al-Arabi: http.www.baheth.Alearbiu,com
www.experiment and experimentation.post6par.facebook.com. (n.d.). Retrieved from post6par.facebook: http.post6par.facebook.com
www.kezakoo.com. (n.d.). Retrieved from Expermentation and experimentation.www.kezakoo.com: http.www.kezakoo.com
www.Laila-bint-uishapages.jehat.com. (n.d.). Retrieved from Laila-bint-uisha: http.www.Laila-bint-uishapages.jehat.com
www.Liajae.phlosopheicendrous.com. (n.d.). Retrieved from Liajae phlosophiec endrous: http.www.Liajae.phlosopheicendrous.com
Zawi, S. (2018). The Artistic Structure in the Algerian Novel in the Seventies. unpublished phD thesis, Algeria
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Anas K. Yaser
This work is licensed under a Creative Commons Attribution 4.0 International License.
