The role of the sound effect to represent the psychopathic character in cinema

Authors

  • Ahmed Keirallah Hussein College of Fine Arts / University of Baghdad

DOI:

https://doi.org/10.35560/jcofarts1146

Keywords:

sound effect, psychopathic character

Abstract

The process of employing modern technology in a consistent manner is what the researcher is interested in, and the psychological role of the sound effect in enhancing psychopathic representations in cinematic characters, which had a wide resonance in the field of cinematic films, and after the predominance of digital technology in the production of contemporary films, the sound effect has a higher efficiency And a good level of advanced aesthetic and dramatic expression in film employment, so many directors resorted to this type of films by using various new and advanced techniques and technological programs in their industry, since the traditional construction does not achieve the dazzling that the viewer desires.

Accordingly, the researcher found that it is necessary to shed light on this topic due to its importance and research in it, so a title was chosen for it (the role of the sound effect to represent the psychopathic personality in the cinema), to include the methodological framework, defining the problem, its importance and the need for it, and defining the terms (sound effect, personality Psychopathy), and the theoretical framework included the first topic (the sound effect’s significance and concept),the second topic (the psychological dimension of the psychopathic personality in the cinema), and the third topic (the psychopathic personality from the sound semantics in the cinema), after that the researcher came out with a set of indicators that he adopted as tools for analyzing the sample And the framework concluded with previous studies.

The analytical descriptive approach took its approach, and an intentional sample that meets the research objectives, the American movie (Schizophrenia SPILT), directed by M. Night Shyamalan, produced in 2016, and the researcher relied on the indicators provided for the theoretical framework to analyze the sample, and took the scene as a main analysis unit in the research, and it was produced the study a number of results and conclusions, then conclude the research with a list of sources and appendices

References

Abu Talib, Muhammad Saeed, Science of Research Methods, Part 1, University of Baghdad, Dar Al-Hikma Press for Printing and Publishing, Baghdad, (1990).

Ament,V.T.The Foley grail:The art of performing sound for film,games and animation,CR Pres,(2010).

Al- Mohandes, Hussein Helmy, Screen Drama Between Theory and Practice, The Egyptian Book Organization, Egypt, (1989).

Al-Alusi, Jamal Hussein, Guide to the Work of the Educational Counselor, Ministry of Education, Baghdad, Iraq, (1990).

Al-Bayati, Muhammad Thaer, Digital representations of the embodiment of religious crescent thought in television drama, PhD thesis, University of Baghdad, College of Fine Arts, (2019).

Al-Baydani, Hikmat, Aesthetics and Techniques of Sound, 1st Edition, Academy of Arts, Cairo, (2011).

Al-Baydani, Hikmat, The Aesthetic Employment of Sound in Hitchcock Films, Al-Academy Magazine, No. 77, Baghdad, (2016).

Al-Dahry, Salih Hassan, Basics of Psychological Adjustment and Emotional Behavioral Disorders, Foundations of Theories, 1st Edition, Dar Safaa for Publishing and Distribution, Cairo, (2008).

Al-Esawy, Abd al-Rahman Muhammad, Introduction to Modern Psychology, University House, Alexandria, Egypt, (2006).

Al-Exander, Dean, The Foundations of Theatrical Direction, translated by: Saadia Ghoneim, The Egyptian Book Organization, Cairo, (1982),

Al-Khatib and Al-Shams, Abdul-Majid and Ghaith, Sound Engineering, National Center for Education and Training Planning, Libya, (2004).

Al-Nouri, Qais, Civilization and Personality, Dar Al-Kutub for Printing and Publishing, University of Mosul, (1981).

Al-Rubaiat, A .The role of music and sound effects in enhancing the sense of the film .Jordanian Journal of Arts.8,( 2015).

Al-Shaati, Raad Abdel-Jabbar, Theories and Methods of Film, Jordan House for Publishing and Distribution, (2006).

Al-Shazly, Mohamed Abdel-Hamid, Mental Health, and Personality Psychology, 2nd Edition, University House, Egypt, (2001).

Al-Tuwail, Ezzat Abdel-Azim, Milestones of Contemporary Psychology, 3d, Alexandria University Knowledge House ,(1999).

Bandar, Abdul Hamid, Filmmakers Without Borders, The General Institution for Cinema, Baghdad, (2001).

Bartkowiak,M.J.Sounds of the future :essays on music in science fiction film McF,(2014).

Bazakhova, Reese, The Art of the Actor and Director, Translated by: Abdul Hadi Al-Rawi, Publications of the Ministry of Culture, Amman, (1996).

Boggs, Joseph M., The Art of Watching Films, translated by: Wadad Abdallah, The Egyptian Book Organization, Cairo, (1995).

Campanini,S.Film sound in preservation and presentation,(2014).

Dick-Bernard, Anatomy of Films, translated by: Muhammad Mounira Al-Subhi, The General Institution for Cinema,Syria,) 2013(.

Fahmy, Anis, Cinema and Psychology, Al-Hilal Magazine, Issue 11, (1982).

Fahmy, Mustafa, Family Upbringing and Young Children, The Egyptian General Book Organization, Book 2, (1979).

Hegel, Introduction to Aesthetics, translated by: George Tarbishi, Dar Al-Talee'a Publishing House, Beirut, (1980).

Jetty, Fadel, Foundations of Building the Problematic Character in TV Drama, PhD thesis, University of Baghdad / College of Fine Arts, (2007).

Kamal, Ali, the soul, its emotions, diseases and treatment, 2nd edition, Dar Wasit, Baghdad, Iraq, (1983).

Latham,C."Listening to Modernism:New Books in the History of Sound."Contemporary European History 26(2): 385-395. (2017).

Nilms, Henning, Theatrical Direction, Translated by: Amin Salama, The Anglo-Egyptian Bookshop, Cairo, (1961)

Okasha Ahmed, Contemporary Psychiatry, Mohamed Abdel Karim Hassan Press, Cairo, Egypt, (2003).

Okasha, Mahmoud Fathi, Self-esteem and its relationship to some environmental and personality variables among a sample of Yemeni children, Journal of the Faculty of Education in Mansoura, Part 4, No. 7, Egypt, (1986).

Sadiq, Adel, In Our House There Is A Mentally Ill Patient, Dar Al-Hurriya, Cairo, Egypt, (1989).

Shin,K.& J.Hammond.Fundamentals of signal processing for sound and vibration engineers, John Wiley & Sons,(2008).

Sukar, Haider Karim, Theories of Personality, 1st Edition, Dar Al-Farahidi for Publishing and Distribution, Baghdad, (2013)

Two authors, a group, Beauty in its Marxist interpretation, translated by: Youssef Hallaq, Publications of the Ministry of Culture, Tourism and National Guidance, Damascus, (1968).

Weis ,Elisabeth, and Belton John,film sound theory and Practice, (Newyork ,columBiA university Press ) ,(1985).

Downloads

Published

2023-09-15

Issue

Section

Articles

How to Cite

The role of the sound effect to represent the psychopathic character in cinema. (2023). Al-Academy , 109, 5-20. https://doi.org/10.35560/jcofarts1146

Publication Dates

Similar Articles

1-10 of 214

You may also start an advanced similarity search for this article.