Formal coding and its relationship to aesthetic taste among students of the Department of Art Education

Authors

  • Mohammed Abdullah Ghaidan College of Fine Arts / University of Baghdad

DOI:

https://doi.org/10.35560/jcofarts1173

Keywords:

Formal coding, Aesthetic taste

Abstract

The current research aims to identify pictorial coding and its relationship to the aesthetic taste of art education students. The research community consisted of (10) plastic artworks, and (3) artworks were selected as a sample for analysis and decoding. With the aim of the research, the research tool was prepared as it consisted of an analysis form, and the researcher used statistical methods: Equation (Cooper) to find the percentage of agreement between the arbitrators and the equation (Scott) to calculate the validity of the tool, and the correlation coefficient (Pearson) to extract stability in the method of segmentation half. Shape formations and achieve encryption of the plastic image through decoding symbols, meanings, and the significance of shape, color, and artistic techniques. As for the most important conclusions: The pictorial coding led to the success of organizing the elements in a manner of high aesthetic value that prompts the recipient to communicate between the vocabulary of the plastic image and dive into the structure of the subject. Keywords- Formal coding- Aesthetic taste

References

A. a.-R. (1984). A Philosophical Encyclopedia. Beirut: The Arab Institute for Studies and Publishing.

Al-Basiouni, M. (1981). Education of Aesthetic Taste. Egypt: Dar Al-Maarif.

Al-Hashemi, S. S.-M. (2007). , Modern Features and Techniques of Contemporary Plastic Art and Their Role in Enriching Artistic Appreciation, unpublished PhD thesis. Baghdad: University of , College of Fine Arts.

al-Imam, G. (2010). Bachelard, Gaston, Image Aesthetics (Vol. 1). Beirut: al-Tanweer for printing and publishing.

Al-Omari, M. A.-Q. (2011). Innovations in the teaching and learning process and a step-by-step guide to their use (Vol. 1). Irbid - Jordan: The World of Modern Books for Publishing and Distribution.

Al-Shall, M. A.-N. (1960). Artistic Appreciation (Vol. 1). Cairo: Dar Manfees for Printing.

E. A. (1979). Horizons of Art (Vol. 2). (I. J. Jabra, Trans.) Beirut: The Arab Foundation for Studies and Publishing.

G. G. (2012). Image Comoonents and Interpretation (Vol. 1). (S. B., Trans.) Beirut: Arab Cultural Center.

H. R. (n.d). Education of Artistic Taste. (Y. M., Trans.) Egypt: Dar Al-Nahda Al-Arabiya.

Ismail, I. S. (2007). Art and Design (Vol. 4). Riyadh: Knowledge Treasures Library for Publishing and Distribution.

J. A. (2013). the image (Vol. 1). (R. Al-Khoury, Trans.) Beirut: Center forArab Unity Studies for Publishing and Distribution.

M. J. (2011). An Introduction to Image Analysis. (A. A., Trans.) Damascus: Dar Al-Yanabe.

Mueller, J. A. (1988). One Hundred Years of Modern Painting. (F. K., Trans.) Baghdad: Al-Mamoon Publishing House.

Nehme, M. H. (2005). An educational program to develop artistic taste among students of the Institute of Fine Arts Department of Fine Arts. Baghdad: Arab Institute for Educational and Psychological Studies.

S. A. (2007). Visual Arts and the Genius of Perception (Vol. 1). Cairo: Dar Al-Ain for Publishing and Distribution.

S. M., & Al-Fadhli. (2010). Image culture and its role in enriching the artistic taste of the recipient. Saudi Arabia: Umm Al-Qura Universit a study submitted to the Department of Art Education, College of Education.

Z. I. (1976). The Philosophy of Art in Contemporary. Egypt: Dar Misr for Printing.

A. a.-R. (1984). A Philosophical Encyclopedia. Beirut: The Arab Institute for Studies and Publishing.

Al-Basiouni, M. (1981). Education of Aesthetic Taste. Egypt: Dar Al-Maarif.

Al-Hashemi, S. S.-M. (2007). , Modern Features and Techniques of Contemporary Plastic Art and Their Role in Enriching Artistic Appreciation, unpublished PhD thesis. Baghdad: University of , College of Fine Arts.

al-Imam, G. (2010). Bachelard, Gaston, Image Aesthetics (Vol. 1). Beirut: al-Tanweer for printing and publishing.

Al-Omari, M. A.-Q. (2011). Innovations in the teaching and learning process and a step-by-step guide to their use (Vol. 1). Irbid - Jordan: The World of Modern Books for Publishing and Distribution.

Al-Shall, M. A.-N. (1960). Artistic Appreciation (Vol. 1). Cairo: Dar Manfees for Printing.

E. A. (1979). Horizons of Art (Vol. 2). (I. J. Jabra, Trans.) Beirut: The Arab Foundation for Studies and Publishing.

G. G. (2012). Image Comoonents and Interpretation (Vol. 1). (S. B., Trans.) Beirut: Arab Cultural Center.

H. R. (n.d). Education of Artistic Taste. (Y. M., Trans.) Egypt: Dar Al-Nahda Al-Arabiya.

Ismail, I. S. (2007). Art and Design (Vol. 4). Riyadh: Knowledge Treasures Library for Publishing and Distribution.

J. A. (2013). the image (Vol. 1). (R. Al-Khoury, Trans.) Beirut: Center forArab Unity Studies for Publishing and Distribution.

M. J. (2011). An Introduction to Image Analysis. (A. A., Trans.) Damascus: Dar Al-Yanabe.

Mueller, J. A. (1988). One Hundred Years of Modern Painting. (F. K., Trans.) Baghdad: Al-Mamoon Publishing House.

Nehme, M. H. (2005). An educational program to develop artistic taste among students of the Institute of Fine Arts Department of Fine Arts. Baghdad: Arab Institute for Educational and Psychological Studies.

S. A. (2007). Visual Arts and the Genius of Perception (Vol. 1). Cairo: Dar Al-Ain for Publishing and Distribution.

S. M., & Al-Fadhli. (2010). Image culture and its role in enriching the artistic taste of the recipient. Saudi Arabia: Umm Al-Qura Universit a study submitted to the Department of Art Education, College of Education.

Z. I. (1976). The Philosophy of Art in Contemporary. Egypt: Dar Misr for Printing.

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Published

2023-12-15

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Section

Articles

How to Cite

Formal coding and its relationship to aesthetic taste among students of the Department of Art Education. (2023). Al-Academy , 110, 259-276. https://doi.org/10.35560/jcofarts1173

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