تاريخ فن الرموز المشفرة غير القابلة للاستبدال NFTs art بالمملكة العربية السعودية
DOI:
https://doi.org/10.35560/jcofarts1322الكلمات المفتاحية:
فن الرموز المشفرة غير القابلة للاستبدال NFTs art ، تقنية البلوكتشين، الفنون الرقميةالملخص
يهتم هذا البحث بتوثيق وتأريخ فن الرموز المشفرة غير القابلة للاستبدال NFTs art بالمشهد الثقافي الفني السعودي، والذي تنبع أهميته لانعدام المصادر العلمية التي توثق هذا المجال حتى اعداد هذا البحث، ويهدف إلى التتبع التاريخي لظهور مجال NFTs art بالمملكة العربية السعودية بقطاع الفنون عبر تجارب الفنانين السعوديين، وأبرز الأحداث لقطاع الثقافة والفنون والتقنية، والقطاعات السعودية الأخرى. وتناول البحث تاريخ نشأة مجال NFTs art التي تمتد من تاريخ الفنون الرقمية، و استعرض لأشهر أعمال NFTs art.
نتيجة للثورة التقنية والحراك الفني الذي يشهده العالم في الاتجاه نحو الاستثمار في الفنون الرقمية، فقد انتقل هذا الحراك إلى المشهد الثقافي الفني السعودي عبر تجارب الفنانين السعوديين وانبثقت من الفنان راشد الشعشعي، ومن بعده عهد العمودي. أما على مستوى القطاعات السعودية الكُبرى فبرز دور وزارة الاتصالات وتقنية المعلومات، ووزارة الثقافة ممثلةً في هيئة الفنون البصرية وذلك لتنظيمهما المؤتمرات التي مهدت لظهور هذا المجال بالمملكة، وتبعتها المبادرات لأنشطة بعض القطاعات بالاستفادة من الإمكانيات التقنية لمجال NFTs art.
المراجع
Akthr. (2023). Away with light- Digital Art Group Exhibition. ATHR Gallery-Jeddaj,27.9.2023- 27.12.2023.
Artist, Manal MA. [@Soft_power_ma]. (2022, September 10). Wow NFT# Artificial intelligence. X. Retrieved October 15, 2022, from the website. https://twitter.com/soft_power_ma/status/1568545099323154434?s=52&t=-C2J2R65M9n_dxXlrNmtcQ
Alarabia. (2021 Augest 25). Launching the first NFT platform in the Middle East. https://www.alarabiya.net/aswaq/financial-markets/2021/08/25/ Launching-the-first-platform-for-NFT-in-the-Middle-East.
Alshashai, Rashed. (2018). Reeshan.
Al-Ibrahim, Rasha. (March 16, 2022). Under the patronage of the Chairman of the National Council for the Arts, the first exhibition of works of art using NFT technology was launched in the Middle East. Bahrain News Agency. https://www.bna.bh/.aspx?cms=q8FmFJgiscL2fwIzON1%2BDuYc5WdRYaPgGMOG3TJmJQo%3D.
Alléhau, Anne-Laure. (2021). NFTs may come with rewards, but also legal risks. https://www.pbwt.com/content/uploads/2021/07/NFTs-May-Come-With-Rewards-But-Also-Legal-Risks.pdf
Attaran, Mohsin, Gunasekaran, Injaba (2022). Blockchain technology applications in business – opportunities and challenges (Ahmed Al-Zahrani, translator). King Saud University Publications (original work published in 2019
Bold Group. (2022, September 20). For the first time, Saudi National Day celebration on Metaverse. https://saudionmeta.com
Creighton, Golene. (2022, December 15). NFT Timeline: The Beginings and History of NFTs. Nft Now. https://nftnow.com/guides/nft-timeline-the-beginnings-and-history-of-nfts/
Dar Noura Al-Mousa. [dar_nora_art]. (2023, March 17). Beyond the Painting: NFT and the Future of Art. https://www.instagram.com/p/Cp2YCJvI7Ya/
Diriyah Biennale Foundation. (2022, March 1). Digital Art Fourm- Day Three. [Video]YouTube. https://youtu.be/h42jv2fqKBY?si=U3QK-xAcCK57SMrf.
Dolton, Nathaniel. (2022). Everything You Need to Know About Non-Fungible Tokens (NFT): The Secrets to Supercharge Your NFT Investing.
Ellis, James. (2023, February 2). Saudi Princess Reem AlFaisal Launches Photography NFT Collection. NFT Evening. https://nftevening.com/saudi-princess-reem-al-faisal-launches-photography-nft-collection.
Fananis. (D.T.). The first and exclusive collection of the Fananis project. https://fananees.art/arabian
Farhia, Y., & Zahra, A. (2022). Art History towards Digital Acculturation in a Non-Fungible Token (NFT) Art. Proceedings of the 3rd Asia Pacific International Conference on Industrial Engineering and Operations Management, Johor Bahru, Malaysia, September 13-15. http://ieomsociety.org/proceedings/2022malaysia/588.pdf
Finucane, B. P. (2018). Creating with blockchain technology: the" provably rare" possibilities of crypto art (Doctoral dissertation, University of British Columbia).
Fortnow, M. Terry, Q. (2022). The NFT handbook: how to create, sell and buy Non-Fungible Tokens. John Wiley & Sons, Inc., Hoboken, New jersy. https://ar.book4you.org/book/23120675/1e8e23
General Entertainment Authority. (2022, December 19). Riyadh Season enters the world of and launches the Access Card. https://www.gea.gov.sa/nft/
Goethe-Institut. (n.d). SAAI-Super Artistic AI. https://www.goethe.de/ins/sa/de/kul/eunic/24776908.html
Khalil, Yasser, Al-Mawlid, Fawaz. (2022, December 13). Princess Reem Al Faisal discusses future alliances between technology and marketing. Al Bilad newspaper.
https://albiladdaily.com/2022/12/13/Princess-Reem-Al-Faisal-discusses-alliances-the /
King Abdul Aziz Foundation for Research and Archives. (2022, September 19). Aldara celebrates National Day via metaverse technology. https://www.darah.org.sa/index.php/media-library/darah-news-menu22/542-2022-09-19-06-23-02
Lanier, Jackson. (2023). Copyright and Art's Monkey Business: How Andy Warhol Found.v.Goldsmith Could Reshape Fair Use and NFTs. https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4420360
MBC Group. (n.d). the first and exclusive group for the Fananis project. https://fananees.art/arabian
Ministry of Communications and Information Technology. ( 2022 September 13). Under the patronage of His Highness the Crown Prince, the launch of the World Summit on Artificial Intelligence in its second edition, with the attendance of 10,000 people and 200 speakers from 90 countries. https://www.mcit.gov.sa/ar/news/
Ministry of Communications and Information Technology. (2021, November 18). The LEAP Global Conference attracts the most prominent minds in the technology sector to the Kingdom to discuss global challenges. https://www.mcit.gov.sa/ar/news/
Ministry of Tourism. (2022, June 10). The Ministry of Tourism amazes its guests with unprecedented digital souvenirs. https://mt.gov.sa/MediaCenter/News/MainNews/Pages/news-01-10-06-2022.aspx
Moshkes, Abeer. (2022, February 14). The Saudi Mohammed Al-Ahmari is behind the success of the first Saudi virtual art exhibition. The Middle East.
https://aawsat.com/home/article/3473631/The-Saudi-Mohammed-Al-Ahmari-behind-the-success-of-the-first-virtual-Saudi-art-exhibition Nadini, M., Alessandretti, L., Di Giacinto, F., Martino, M., Aiello, L. M., & Baronchelli, A. (2021). Mapping the NFT revolution: market trends, trade networks, and visual features. Scientific reports, 11(1), 1-1 https://www.nature.com/articles/s41598-021-00053-8
Next World Forum. (2022, September 13). Shaping and shaping the future of gaming and e-sports.https://www.nextwrld.sa/ar/
Pathak, S., Singh, A., Poojari, A., & Dalvi, N. (2023). Evolution of NFTs & NFT Marketplace. TIJER- Internationa Reaearsh Journal. 10(4), 242-256. https://www.tijer.org/papers/TIJER2304440.pdf
Saudi Digital Token Club [@saudiNFTclub]. (2022). We are pleased to announce a new partnership with Nefty Souq, which includes a team of pioneering artists in the field of fine art.
Saudi Press Agency. (2022, December 21). Jeddah Governorate will witness the holding of the first art exhibition using NFTs technology for digital documentation tomorrow.
Saudi Press Agency. (2022, Feb 20). The Visual Arts Authority and Sotheby's organize the Digital Arts Conference in the Kingdom at the Diriyah Biennale. https://www.spa.gov.sa/2331163
Suchow, J. W., & Ashrafimoghari, V. (2022). The paradox of learning categories from rare examples: a case study of NFTs & the Bored Ape Yacht Club. Available at SSRN 4082221.
The Middle East. (2021, November 20). Digital art auction by international Saudi artist Lulwah Al-Hamoud.
UPYO. (2022 November 21). Ahed Al-Amoudi.. How did a Saudi girl exploit the NFT to document the radical transformation in her country?. Ahed Al-Amoudi.. How did a Saudi girl exploit the NFT to document the radical transformation in her country?
Value of Values. )n.d (. . When transactional aesthetics meet neuro-design on the Blockchain. https://www.v-o-v.io/about.
Whatley, Jack. (2019, August 5). The Moment Andy Warhol Digital by Painting Debbie Harry on an Amiga Computer. Far Out magazine. https://faroutmagazine.co.uk/andy-warhol-debbie-harry-blondie-commodore-amiga-1985/
Zhao, Z. (2021). Fulfilling the right to follow: using blockchain to enforce the Artist's resale right. Cardozo Arts & Entertainment Law Journal, 39(1). https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3871892
التنزيلات
منشور
إصدار
القسم
الرخصة
الحقوق الفكرية (c) 2023 Najla Rashed Almubaddel
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
هذا العمل مرخص بموجب Creative Commons Attribution 4.0 International License.