Design dialogue is a cognitive accompaniment in the designs of interior spaces(As a case study of the hospitality hall in Qasr Al Watan - Abu Dhabi (UAE)

Authors

  • Mohamed Jarallah Tawfik Middle Technical University - College of Applied Arts - Department of Interior Design techniques, Baghdad, Iraq

DOI:

https://doi.org/10.35560/jcofarts1490

Keywords:

dialogue, design, accompaniment, knowledge, interior space

Abstract

The design dialogue is not limited to presenting old ideas that the interior designer believes in, but is based on the method of constructing the ideas that form in his mind, and this depends on clarifying the meanings generated through the presentation of the idea, as well as framing and presenting it in a scientific manner that is convincing to the other party, so that the mind remains He was aware throughout the period of the interview so that he could make a judgment about it .Thus, design dialogue represents a stylistic tool used to address one of the specialized topics, especially in a field of design science and knowledge, and even represents an aspect of design thought, and this depends on the effective role of the interior designer’s vision based on choosing the specific intellectual framework within a rational design intellectual vision. Determining the intrinsic reality of the thing to reach the design product required to be implemented and the motivating role emerging from its interaction with the place.Therefore, it was necessary to study this topic, which consists of four chapters. For the first chapter, the researcher relied on formulating the research problem, which is summarized in the following question: What are the considerations that the design dialogue adopts as a cognitive accompaniment in the designs of the interior spaces of the hospitality hall in Qasr Al Watan - Abu Dhabi (UAE)?

While the importance of the research lies in achieving a communication function between the interior designer and the recipient through mental design communication that carries cognitive dimensions such that it raises in the recipient implicit dialogue meanings that are capable of sensory perception. In light of this, the researcher focused the research goal on arriving at knowledge of the most important considerations adopted by design dialogue. As a knowledge update in the designs of the interior spaces of the hospitality hall in Qasr Al Watan - Abu Dhabi (UAE)،As for the limits of the research, the researcher has defined, in terms of the objective limit, “design dialogue, keeping pace with knowledge in the designs of interior spaces” as a case study of the hospitality hall in Qasr Al Watan - Abu Dhabi (UAE), while its spatial and temporal boundaries include the modern interior spaces, represented by the hospitality hall in Qasr Al Watan. Al Watan - Abu Dhabi (UAE) implemented in 2019 AD,While the second chapter was based on studying, firstly: considerations of design dialogue, and secondly, considerations of cognitive accompaniment, while the third chapter included defining the subject of the research procedures, represented by the research methodology based on the descriptive and analytical approach, while the research community focused on adopting the intentional selective method, and finally, the fourth chapter included drawing the results of the research.   

References

Ibrahim Madkour, 1983: Philosophical Dictionary, Arabic Language Academy, General Authority, Printing Press, Cairo.

Edith Kurzweil, 1985: The Era of Structuralism from Lévi-Strauss to Foucault, translated by Jaber Asfour, House of General Cultural Affairs, Baghdad.

Trans Hocus, 1986: Structuralism and Semiotics, translated by Majeed Al-Mashatta, House of General Cultural Affairs, Baghdad.

Gibran Masoud, 1967: Al-Raed, a modern linguistic dictionary whose vocabulary is arranged according to its first letters, second edition, Dar Al-Ilm Lil Al-Millain, Al-Ulum Press, Lebanon.

Al-Jubouri, Raouf, 2005: Cadastral formation and organization, Baghdad, Dar Al-Ma’rifa.

Jinan Muayyad, 2001: Contemporary Arab-Islamic Architecture, Higher Education Press, University of Baghdad.

Hassan Ramzi, 2010: Design Technology in Architecture, Systematic Book Series.

Kholoud Badr, 2008: Principles of Artistic Design, 1st edition, Arab Society Library for Publishing and Distribution, Amman, Jordan.

Rafid Morsi, 2001: Heritage and Contemporary, Higher Education Press, University of Baghdad, Baghdad .

Al-Rawi, Hossam Salman, 2001: Heritage, Contemporary and Modern Trends in Architecture, Arab Horizons Magazine.

Raghad Nemat Allah, 1997: Technology and Form, Engineering Sciences Press, Jordan.

Zahran Mohsen, 2003, Philosophy of Design (Department of Formation and Architectural Criticism) - Dar Al-Maaref, Egypt.

Al-Sayeh, Dr. Madiha Jaber: Contemporary Arab Authenticity Towards an Alternative Concept of Authenticity and Contemporaryness in Literary Criticism, http://www.makkahclc.com/index.php.

Al-Sayyed, Dr. Walid: Authenticity, modernity, and the problem of Arab architecture between the past and the present, University of London http://www.al-jazirah.com/aarchive.htm

Sadiq Odeh, 2007: Architectural Form, Dar Al-Ma’rifa, Baghdad.

Salah Fadl, 1987: Constructivist Theory of Criticism, House of General Cultural Affairs, Baghdad.

Al-Kubaisi, Falah, 1989: A systematic reading to reach identity, Symposium on National Specificity in Arab Architecture, Baghdad, Iraq.

Christian Schulz, 1996: Existence, Space, and Architecture, Translated by: Samir Ali, Adnan Aswad Series, Al-Adib Al-Baghdadi Press, Baghdad.

Kamal Abu Deeb, 1988: Generating Structures, The Small Encyclopedia, General Cultural Affairs House, Baghdad.

Hisham Sabr , 2006: Thought and Design, Alam Al-Fikr Magazine, National Council for Culture, Arts and Letters, Kuwait, Volume 34, Issue 4, April.

Hector Hutton, 2002. The Joy of Philosophy: Translated by: Yacoub Youssef Abuna / Reviewed by: Fakhri Khalil Aziz, House of Wisdom, Baghdad. Iraq. First edition.

Yassin Khalil, 1974 : The Logic of Scientific Research, Dar Al-Nour, Baghdad.

Yoel Youssef Aziz, 1997: Meaning and Translation, Faculty of Arts, Qar Yunis University, Benghazi, Libya, 2nd edition.

Broadbent, Geoffrey, 1973 :Design in Architecture john Wiley end sons' ltd, London.

Ching, Francis D.K. 1993: architecture form , space,& order , second edition , john wiley &sons,inc,USA.

Ching, Francis D. K , 1987: Interior design lllustrated,1st ed, van nostrand reinhold, new york.

Jormakka, Kari Flying Dutchmen, 2002 , motion in architecture ,basel; moston; 31-Berlin: birk Hauser :(the IT revolution in architecture), ISBN: 3-7643-6639-7, Http://www.birkhauser.ch

https://img.youm7.com/ArticleImg

https://pbs.twimg.com/media/Cb

https://www.emaratalyoum.com

https://ar.wikipedia.org/wiki/%D9%82%D8%B5%D8%B1_%D8%A7%D9%84%D9%88%D8%B7%D

Downloads

Published

2024-09-15

Issue

Section

Articles

How to Cite

Design dialogue is a cognitive accompaniment in the designs of interior spaces(As a case study of the hospitality hall in Qasr Al Watan - Abu Dhabi (UAE). (2024). Al-Academy , 113, 369-386. https://doi.org/10.35560/jcofarts1490

Publication Dates

Received

2024-08-11

Revised

2024-06-26

Accepted

2024-09-01

Similar Articles

371-380 of 500

You may also start an advanced similarity search for this article.