About the Journal

  1. Plastic arts, including painting, sculpture, ceramics, and graphics.
  2. Design, including the fields of print design, industrial design, textile design, and interior design.
  3. Arabic calligraphy and decoration
  4. Art education
  5. Musical arts
  6. Theatrical arts, including the fields of acting, directing, literature and criticism.
  7. Cinema and television
  • The editorial board is supervised by an editor-in-chief, managing editor, And members of the editorial board. The editorial board is a panel of experts with diverse expertise who contribute to the development of long-term plans for academic publication in general, And Al-Academy Journal in specific.

Aims and Scope

  • The journal deals with academic research related to aesthetic subjects, which includes the fields of plastic arts, music, theater, cinema, design arts, calligraphy, and decoration, as well as theoretical and applied research in the field of art education. 
  • The journal is archived in CLOCKSS
  • The journal is archived at the National Library in Baghdad on No. 238 of 1976
  • It is also archived on the website of the Iraqi Ministry of Higher Education and Scientific Research / Department of Research and Development: "Iraqi Academic Scientific Journals"
  • The Journal is Indexed electronically and globally in DOAJ , Crossref.
  • The International Standard Serial Number For The Journal is:

ISSN 2523-2029 (Online), ISSN 1819-5229 (Print)

The journal is supported By College of Fine Arts / University of Baghdad

This work is licensed under a Creative Commons Attribution 4.0 International License.

Publishing Schedule

Al-Academy Journal has been publishing Four issues per year (quarterly) since 2017. The exact schedule of publication for each issue is as follows:

  1. March
  2. June
  3. September
  4. December

-The possibility of publishing a special issue of the scientific conferences held in the college or its counterparts.

The journal uses an electronic plagiarism detection system (Turnitin) for all papers submitted for publication.

 

Current Issue

No. 113 (2024)
View No. 113 (2024)
Published: 2024-09-15

Full Issue

Articles

  • The correlation between virtual construction and formal metaphor in electronic advertising

    Ibrahim Hamdan Sabti
    9-30
    DOI: https://doi.org/10.35560/jcofarts1273

  • The formative dimensions in the structure of contemporary Iraqi ceramics and their implications On the products of students of the Art Education Department

    Amal Nouri Abboud
    31-44
    DOI: https://doi.org/10.35560/jcofarts1451

  • Exploring the differences between an Omani traditional and renaissance jewelry from the perspective of an old generation of Omani women

    Amal Al-Ismaili
    45-58
    DOI: https://doi.org/10.35560/jcofarts1373

  • Directorial treatment of character psychological transformations in cinema and television

    Anwar Abd Shati
    59-72
    DOI: https://doi.org/10.35560/jcofarts1297

  • Promoting the concept of sustainability in the design of plastic water bottles

    Khulud AlJarallah
    73-90
    DOI: https://doi.org/10.35560/jcofarts1302

  • Parametric design and its role in designing building facades (An analytical study)

    Kholood Saleh Matar Alsawat
    91-116
    DOI: https://doi.org/10.35560/jcofarts1455

  • The performance of the actor between the sign and the verb in the theatrical show

    Russil kadim Oda, Muhammed Ali Kazem
    117-126
    DOI: https://doi.org/10.35560/jcofarts1269

  • Formal changes and their implications for graphic design

    Ruqaya Kazem Ahmed , Sahar Ali Sarhan
    127-136
    DOI: https://doi.org/10.35560/jcofarts1270

  • Employing social imagination in Iraqi feminist theatrical text

    Ruqaya Wahab Bayram
    137-152
    DOI: https://doi.org/10.35560/jcofarts1296

  • Artistic layout and methods of using technology in the feature film

    Abdel Nasser Mustafa Ibrahim
    153-170
    DOI: https://doi.org/10.35560/jcofarts1308

  • An analytical study of methods for employing negative space in logo design

    Abdullah Faisal Suruji
    171-184
    DOI: https://doi.org/10.35560/jcofarts1472

  • Integration of functionality in industrial product design between smart and traditional control

    Omar Rashid Saleh, Nawal Mohsen Ali
    185-198
    DOI: https://doi.org/10.35560/jcofarts1214

  • Topological analysis of the industrial product body

    Liqaa Ghazi Hamad
    199-208
    DOI: https://doi.org/10.35560/jcofarts1432

  • Perception and attention and its impact on the design idea of the recipient

    Muhammad Thabet Muhammad Al-Baldawi
    209-218
    DOI: https://doi.org/10.35560/jcofarts1325

  • Directing treatment of the chase scenes in the American film

    Marwan SafaUldeen Hasan
    219-232
    DOI: https://doi.org/10.35560/jcofarts1309

  • The History of Saudi Digital Art, Beginnings and Development

    Mojib Alzahrani
    233-244
    DOI: https://doi.org/10.35560/jcofarts1367

  • Matrix of Possibilities and contemporary Transformation in the Renovation of Ceramics

    manal alsaleh
    245-264
    DOI: https://doi.org/10.35560/jcofarts1333

  • Concealment and invisibility in digital advertising design

    Ayad Diab Hamid , Nidal Kazem Matar, Naseem Tariq Kamal
    265-282
    DOI: https://doi.org/10.35560/jcofarts1476

  • Representations of the body in contemporary arts study

    Hajar Khalifa Al Harrasi, Fakhriya Al-Yahyai
    283-314
    DOI: https://doi.org/10.35560/jcofarts1314

  • Design foundations for traditional interior spaces (Local reception halls are an example)

    wisam hassan hashim
    315-326
    DOI: https://doi.org/10.35560/jcofarts1466

  • Textual transformation in international logo designs

    Bushra Mohsin Yasir, Bassam Jassim Hussein Banana , Maysaa Kareem Hasan
    327-336
    DOI: https://doi.org/10.35560/jcofarts1491

  • variables affecting the structure of commercial advertising design (analytical study)

    maha naama lafatuh
    337-346
    DOI: https://doi.org/10.35560/jcofarts1361

  • Self-awareness in nihilistic philosophy to interpret aesthetic experience(Sculptor Alberto Giacometti as a model)

    AHMED J. ZBOON, Ali Fahim Eidhan
    347-368
    DOI: https://doi.org/10.35560/jcofarts1467

  • Design dialogue is a cognitive accompaniment in the designs of interior spaces(As a case study of the hospitality hall in Qasr Al Watan - Abu Dhabi (UAE)

    Mohamed Jarallah Tawfik
    369-386
    DOI: https://doi.org/10.35560/jcofarts1490

  • The Authenticity of Diriyah: Between the Philosophy of Place and Time as a Foundation for Designing Contemporary Artwork

    zahrah Ahmed Saleh alghamedi
    387-406
    DOI: https://doi.org/10.35560/jcofarts1434

  • Modern Technologies and Their Effectiveness in Designing the Interior Space of Fashion Show Houses

    Enas Kadim Hawash Abd
    407-420
    DOI: https://doi.org/10.35560/jcofarts1478

  • Epistemology and its implications in designing the cover of Popular Heritage magazine

    Riyadh Muhsen Habeeb
    421-432
    DOI: https://doi.org/10.35560/jcofarts1410

  • Plastic features of the concept of violence in ancient and contemporary ceramic formation

    Ealayh Mohsen Abboud
    433-448
    DOI: https://doi.org/10.35560/jcofarts1475

  • The works of idealistic philosophy in the structure of the Iraqi theatrical performance, the play Blood Horse as an example

    Aseel Khalifa Kazem Al-Bakri
    449-466
    DOI: https://doi.org/10.35560/jcofarts1499
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