No. 124 (2026)

View No. 124 (2026)
Published: 2026-10-01

Articles

  • The formal style and its intellectual implications for eco-friendly furniture

    Ibtihal Muhammad Mahdi , Nawal Mohsen Ali
    5-18
    DOI: https://doi.org/10.35560/jcofarts1867

  • Organic art practices in installation and setup works

    Ihsan Ali Hussein Taqi , Tahrir Ali Hussein Al-Jizani
    19-34
    DOI: https://doi.org/10.35560/jcofarts1868

  • Kinetic and Vocal Balance in Theatrical Actor Performance

    ahmed Hamed Ibrahim aldeneen
    35-48
    DOI: https://doi.org/10.35560/jcofarts1706

  • theatrical performance in contemporary theatrical productions, between stereotypes and repetition (play Disagreement as a model)

    Alaa Najm Abdullah
    49-62
    DOI: https://doi.org/10.35560/jcofarts1869

  • Color techniques in Contemporary Iraqi painting and their reflection on the productions of art education students

    Alham Abd Al Saheb
    63-78
    DOI: https://doi.org/10.35560/jcofarts1870

  • Cognitive presence and aesthetic culture in the experience of the artist Mohammed Mehruddin

    Tamara Sufyan Yahya , Mohammed Ghalloobe Jebur
    79-92
    DOI: https://doi.org/10.35560/jcofarts1687

  • The representations of Elias's image in the plays of (Ammar Na'meh), the play (Qa'a), by choice

    Khaled Hamid Hassan, Abdullah Abd Abd Ali
    93-104
    DOI: https://doi.org/10.35560/jcofarts1871

  • The formal equivalent of the metaphorical subject in Islamic art motifs

    Wissam Kamil Abdul-Ameer
    105-120
    DOI: https://doi.org/10.35560/jcofarts1878

  • The Function of Narrative Form and Montage Structure in Horror Films

    Zahraa Kadhim Jassim , Adhraa Muhammad Hassan
    121-138
    DOI: https://doi.org/10.35560/jcofarts1879

  • Formal dualities and their visual effectiveness in fashion fabric designs "Reality and imagination"

    Zahraa Mohamed Sabry , Wassan Khalil Ibrahim
    139-152
    DOI: https://doi.org/10.35560/jcofarts1881

  • The Use of Digital Technology in Creating Cinematic Shot Backgrounds

    Shurooq Malik Hasan
    153-160
    DOI: https://doi.org/10.35560/jcofarts1882

  • The Aesthetic Composition of Sculptural Subjects Executed on Barbotine Ceramics "An Analytical Reading"

    Saba Ali Hassan
    161-172
    DOI: https://doi.org/10.35560/jcofarts1884

  • Media features in the Iraqi epic show

    Talib Ghafil abd
    173-184
    DOI: https://doi.org/10.35560/jcofarts1885

  • The sensory effectiveness of reception and its impact on the perception of expressive connotations in industrial product design

    Fatima Makki Tuma
    185-196
    DOI: https://doi.org/10.35560/jcofarts1886

  • Expressive representations of events in contemporary graphic design

    Kawthar Saad Ghazi , Maha Muayad Abdul Hussein
    197-210
    DOI: https://doi.org/10.35560/jcofarts1887

  • The Technological Aesthetics of Graphic Design in Contemporary Architecture

    Majid Abdul-Hussein , Moataz Inad Ghazwan
    211-224
    DOI: https://doi.org/10.35560/jcofarts1888

  • The Aesthetics of Digital Representation in the Sculptural Outputs of Art Education Students

    Musa Jassas Musa , Abazar Imad Muhammad Sadiq
    225-240
    DOI: https://doi.org/10.35560/jcofarts1890

  • The semantic use of place in political film

    Moataz Muhammad Ali Jabr, Haider Faisal Karim
    241-252
    DOI: https://doi.org/10.35560/jcofarts1891

  • Conceptual references to social heritage and their manifestations in contemporary Iraqi art: A pragmatic-cognitive study

    Maysaa Abdul Kadhim Abd, Hila Abdel Shaheed Mustafa
    253-270
    DOI: https://doi.org/10.35560/jcofarts1892

  • Colony of the body (Pragmatics of memory between biological presence and being)

    Nashat Mubarak Sliwa
    271-282
    DOI: https://doi.org/10.35560/jcofarts1893

  • Characteristics of Interior Design for Educational Environments: A study of Education Centers for Children with Special Needs

    Noor Raid Mohammed Ali , Fatin Abaas Lafta
    283-292
    DOI: https://doi.org/10.35560/jcofarts1894

  • Visual culture among art education students and its manifestations in their artistic output

    Noor Abdul Jabbar Abdul Sattar
    293-310
    DOI: https://doi.org/10.35560/jcofarts1895

  • The effectiveness of a program based on the aesthetic values of Arabic calligraphy in developing artistic formation skills inspired by living organisms among female students at the Faculty of Fine Arts at a university

    Hani Issa Ali sarsour
    311-328
    DOI: https://doi.org/10.35560/jcofarts1768

  • The Impact of Capitalism and Reinforcement Strategies on Postmodern Arts

    Wahb Ail Husan
    329-340
    DOI: https://doi.org/10.35560/jcofarts1896

  • Body discourse and its promotional role in political poster design

    Yousif mahde saaed
    341-358
    DOI: https://doi.org/10.35560/jcofarts1689