No. 90 (2018)

View No. 90 (2018)
DOI: https://doi.org/10.35560/jcofarts90
Published: 2018-12-16

Full Issue

Articles

  • Guernica Semiotics… methods of Expression between Aesthetic and Semantic Composition

    shayma wahib
    5-20
    DOI: https://doi.org/10.35560/jcofarts90/5-20

  • Meaning Surplus in Contemporary Iraqi Sculpture

    mohammed abdul hussein yousif
    21-40
    DOI: https://doi.org/10.35560/jcofarts90/21-40

  • Sculptural Formation in the Third Millennium: Styles and Trends

    HASANEIN SADIK AYYED ALI
    41-66
    DOI: https://doi.org/10.35560/jcofarts90/41-66

  • Alienation in Contemporary Sculpture between the Works of Anthony Caro and Tony Cragg (A Comparative Study)

    Jafar Sadik Ayyed Ali
    65-86
    DOI: https://doi.org/10.35560/jcofarts90/65-86

  • The Pressing References towards Abstraction in Arab and Islamic Art

    Haider Kazum Said
    87-108
    DOI: https://doi.org/10.35560/jcofarts90/87-108

  • Contemporary Tunisian Ceramics References

    Asaad Matar Khalil
    109-122
    DOI: https://doi.org/10.35560/jcofarts90/109-122

  • The Semantic Displacement of the Sign and the Visual Formation of the Postmodern Theater

    Farhan omran mosa
    123-138
    DOI: https://doi.org/10.35560/jcofarts90/123-138

  • The Overlap of Visions between the Scenographer and the Director in the Theatrical Show

    Jassim Kazem Abd, assel laith ahmed
    139-152
    DOI: https://doi.org/10.35560/jcofarts90/139-152

  • Deconstruction the Theatrical Time in the Expressionist Doctrine

    Mohammed mahdi Hassoon Rahi
    153-168
    DOI: https://doi.org/10.35560/jcofarts90/153-168

  • Scenography Features in the Iraqi Contemporary Theatre Show (Macbeth Play, by Salah Al-Qasab- A Model)

    qabas ahmed ibrahem
    169-182
    DOI: https://doi.org/10.35560/jcofarts90/169-182

  • The Formative Truth of the Dramatic Work between Direction and Production

    Barrak Anas Almudarris
    183-200
    DOI: https://doi.org/10.35560/jcofarts90/183-200

  • The Conceptual Representations of the Jewish Personality in the International Cinema (Munich film as a model)

    fadya f.saeed, athraa m.hassan
    201-220
    DOI: https://doi.org/10.35560/jcofarts90/201-220

  • The Aesthetics of the Digital Sound Effects in Television Drama

    Mohammed Thair al Bayti
    221-240
    DOI: https://doi.org/10.35560/jcofarts90/221-240

  • Philosophy of Precognitive Dream in the American Film (Minority Report - a Model)

    abdulnaser Mustafa Ibrahim
    241-256
    DOI: https://doi.org/10.35560/jcofarts90/241-256

  • The Eloquence of the Sound in the Production of Mental Image in the Feature Film

    Nawras Safaa Abd Al Jabar
    257-276
    DOI: https://doi.org/10.35560/jcofarts90/257-276

  • Employment of Folk Games and Tales in Developing the Skills of Spontaneous Acting in Kindergartens

    Ibrahim Nimma Mahmoud, rajaa hameed
    277-294
    DOI: https://doi.org/10.35560/jcofarts90/277-294

  • The Effect of 3DS Max in Developing the Skill of Designing Theatrical Decoration among the Students of the Department of Art Education

    Amar Fadel Hassan, Omer Qassim Ali Qassim Ali
    295-310
    DOI: https://doi.org/10.35560/jcofarts90/295-310

  • An Educational Model in Journalistic Production Course to Develop the Creative Thinking Skills of Printing Design Students

    layla shwail
    311-326
    DOI: https://doi.org/10.35560/jcofarts90/311-326

  • The Symmetries of the Interior Design of Fast Food Restaurants

    bahaa talib alameer, Badria Mohamed Hasan
    327-344
    DOI: https://doi.org/10.35560/jcofarts90/327-344

  • Reflection of political variables in the design of the Journal cover

    hasan falih hasan
    345-360
    DOI: https://doi.org/10.35560/jcofarts90/345-360

  • The Problem of Designing the User Interface in the Interactive Websites (website of the Faculty of Fine Arts and Ways of Developing it)

    Abbas Fadhil Abd Al Zahra
    361-380
    DOI: https://doi.org/10.35560/jcofarts90/361-380

  • Graphic Design and Functional Applications in the Interior Space

    ayass abbas yassin
    381-396
    DOI: https://doi.org/10.35560/jcofarts90/381-396

  • Melodic and Rhythmic Construction of Monologues in Iraq

    mustafa mansour jakop
    397-408
    DOI: https://doi.org/10.35560/jcofarts90/397-408

  • The Influence of the Iraqi Maqam in the Recitation of Hafiz Khalil Ismail

    Emad Mohammed Fadel
    409-422
    DOI: https://doi.org/10.35560/jcofarts90/409-422

  • The Impact of the Use of Piano on the Development of Musical Possibilities of Violinists

    Tayseer Talal Mohammed
    423-436
    DOI: https://doi.org/10.35560/jcofarts90/423-436